“I am the F**King Virus” is Kempton‘s first foray into Poetry, specifically Documentary Poetry (see note below), and even more specifically the form of Documentary Poetry short film.
==== See Director’s statement plus more reference notes below after the documentary poetry ====
I am the F**King Virus – a Documentary Poem by Kempton
(20200417 version 2.48163264128256512102420484096)
I am the F**King Virus
You covered me up. And let me killed thousands
Thank you. Xie Xie. Or is it Xi Xi
WHO studied me and recommended how to beat me
but few read her report so I infected 100,000s more
How do I say thank you in Italian, Spanish, German, Persian, French, Korean, and Trumpian
I am the F**King Virus
We shall fight on the beaches
We shall fight under the cherry blossom trees
We shall fight in the churches, mosques, and synagogues
We shall fight in close combat less than 2 meters apart (with no Physical Distancing)
We can stop fighting now IF you accept my price of 1.4% of you ALL
(mostly elderly, the weak plus some healthy young human beings)
On this 4th anniversary of Umbrella Revolution in HK, I will be frank as I had not planned to revisit/watch any Umbrella Revolution video footage including my own documentary because I had watched my documentary and the footage in it probably hundreds of time during edit. But 4 years later, while I of course remember and appreciate the major players’ roles and efforts, the unnamed strangers who helped out by sweeping water on the the street are what affected me and what I want to remember the most.
I recently had the great pleasure of having an extensive 2-hour interview with Taiwanese award-winning director of LOVE Talk 幸福定格 (see below for synopsis) Mr. Shen Ko-shang 沈可尚. after watching his new documentary (spent 7 years to film 8 couples) which I really enjoyed and found insightful.
最近慶幸有機會訪問台灣得獎導演沈可尚兩小時，詳談他非常好看及發人深省的新紀錄片”幸福定格 LOVE Talk” (七年時間拍攝八對夫妻) (影片簡介見文章末).
Ko-shang was very accommodating in letting me asked questions in English (with some Mandarin translation when necessary) and then he answered in Mandarin.
沈導演非常包容合作, 樂意讓我用英語發問（必要時加上一些普通話翻譯），然後沈導演用普通話回答。
Since Ko-shang gave some very broad, in-depth, very insightful and sometimes unexpected answers, I wasn’t sure if it is useful or unhelpful to break the Q&As down and provide precise time codes to help viewers access a specific section.
My suggestion is to watch the whole interview from beginning to end so it flows better. But if you must, see below for linked time codes and my questions.
Here are some of the questions asked: 以下是訪問中的一部份問題:
Question @1m45s I heard from a HK organizer of Chinese Documentary Festival (第十一屆華語紀錄片節) the first screening of “Love Talk” was sold out on the first day of ticket sales. And the second screening are almost sold out. So they added a third screening.
How do you feel when hearing this good news? Do you feel pressure from anticipation of the audiences?
Question @3m52s Are you looking forward to Q&As with HK audiences?
Question @5m10s In 2010, you pitched 幸福定格 with the English title “Double Happiness Limited” at the CCDF pitching forum (華人紀錄片提案) and now 7 years + editing time later, 幸福定格 has evolved into “LOVE talk” (with the letters
L.O.V.E. in upper case).
Can you talk about what did you try to capture in the beginning and what did you get at the end?
Question @14m07s So it took 14 months to make: 賽鴿風雲 RACING PIGEON IN TAIWAN, 3 years to make: 築巢人 A Rolling Stone, and now 7 years to make 幸福定格 LOVE talk filming 8 couples.
How did you feel during the 7 years of filming and about one year of editing? Were you very worried about not getting what you want or need?
Question @21m28s When you decided you to start editing, did you ever go back to film more footage?
Question @29m03s Are there cases after their chats were filmed, they asked you to delete the footage or promise not to use them? If not, what would you have done if you were asked?
Question @37m26s If you had a time machine and could time travel to 10, 20, or 30 years into the future to talk to the grown up children of the couples, what would you tell them? Would you thank them? What would you say?
Question @44m11s How did you decide to place the funny moments, the heart warming moments, the tense and stressful moments in the film? In a sense, how did you discover the flow of the film?
Question @1h03m14s Since LOVE talk has already screened at film festivals in places like 西寧, 武漢, and 北京, and you’ve Q&As, something I understand you enjoyed. Can you give examples of three memorable audience questions that you were asked and your answers?
Comment @1h12m01s Mr. Shen: “In the three screenings, audiences all have asked this question.”
Question @1h15m20s Some viewers who have watched a promotional clip would have learned one of the women in the movie had stage 3 liver cancer. After rematching the film, I realized it wasn’t mentioned it the movie. Can you explain a little of your reasons of actually NOT giving much details about the couples and what happened to them as some scenes ended mid-argument?
Comment @1h16m42s Mr. Shen: “The most important message of this film is “TALK“.”
Question @1h18m56s My question about naming the film “TALK love” since TALK is so important?
Question @1h20m56s In the end of the film, we learned one of the husbands was in HK? Is he still working in HK? And do you know if he plans to attend one of the screenings?
Question @1h23m37s German director Werner Herzog is known for making some great documentaries and drama. I love his documentaries: Grizzly Man , Cave of Forgotten Dreams and his dramas like Rescue Dawn. You yourself have made both dramas and documentaries in your career. Can you briefly talk about your processes in coming up with ideas, planning, and making documentaries vs dramas? Do you have a favourite genre: documentaries or dramas?
Question @1h44m42s What next for you with “LOVE talk”? Which festivals are you scheduled to attend? And will people in Taiwan get to see “LOVE talk” in film festivals or main theatres?
Question @1h47m25s What do you look forward in your upcoming trip to HK? What do you like to eat? What do you usually do in HK?
Question @1h48m33s Some of your HK friends make documentaries. Do you end up talking shops and each others’ movies with your documentary filmmaking friends?
========
Here are some official film stills of LOVE Talk 幸福定格:
========
LOVE Talk 幸福定格 @ The 11th Chinese Documentary Festival 2018
Date Time Venue
17/10 (Wed) 2:30 pm Lecture Hall, Hong Kong Science Museum*
18/10 (Thur)【Additional Screening】 9:50 pm MOViE MOViE Cityplaza*
20/10 (Sat) 3:30 pm MOViE MOViE Cityplaza*
*Q&A session with the director
** From LOVE Talk 幸福定格 promotional materials **
//LogLine:
He spent 7 years looking for the secret to the preservation of marriage. Taiwan director Shen Ko-shang, after his first year of marriage, started to question his marital life, and with these questions, he had been shooting 8 couples for 7 years. He invited them to have conversations in front of the camera, while the topics ranging from their in-law issues, children upbringing problems, to the division of responsibilities in their marriage, in order to seek for the answers to two questions: Do people really need marriage? How exactly do two people get along with each other for a lifetime?
Synopsis
One finds love, marries and then expects happiness. Once in marriage, love alone ceased to be the only thing that bonds the two together; things of more complexity are added to the play. A conversation, an exchange, is the only possible means of dissolving the boundary between two individuals. The film focuses on daily conversations between eight couples. In their trivial dialogues of love, husband and wife question each other on topics ranging from sex, parenting, housework division, problems with their mother-in-law, and even dullness of marital life. The conversations reflect the authenticity of characters’ conditions of living, exploring the depth of intimate relationship in marriage while at the same time shedding a dim light on the significance of happiness. Perhaps this sort of happiness lies in the journey where seeking is the end itself, and it can certainly not be captured in frame.//
Earlier in 2017, my Facebook friend Horatio Tsoi (蔡錦源 Kam Yuen), an experienced TV/film director & producer, and his Hong Kong team completed a stunningly/hauntingly beautiful/insightful independent documentary 《311 – Revival 》 that is also thought provoking. We get to see different parts of Fukushima Prefecture up close through the eyes of the presenter Clarisse Yeung 楊雪盈 (a HK district council politician), the film crews, and the high flying drone camera that shot some hauntingly beautiful footage. We also get to hear from local residents, a farmer, restaurant operators, NGO volunteer radiation measuring group, TEPCO (Tokyo Electric Power Company ran the destroyed nuclear plants) official interviewed for the film to get their perspectives on things.
“Fukushima used to be a wonderful place. Unfortunately, since March 11, 2011, “Fukushima” has been superseded by another name: Nuclear Disaster Zone. Six years have passed, but over 80,000 Fukushima residents still cannot return home, still cannot return to their former lives. How did they get through it? Reconstruction work is slow. Several years on, surrounding the site of the Fukushima nuclear incident, there remain many refuge-seeking residents whose homes are still in lockdown. In the streets, people are taking it to their own hands to save their communities. Psychologically and practically, how does one rebuild? Does the civil society’s self-rescue mission conclude in recovering what was lost, or in reviving an even better community? In their eyes, what is “revival”? What is the meaning of “rebirth”? Our crew went all over the coastal areas of Fukushima, recording stories of residents each finding their own ways to save themselves.“
Museums: Inspirations from artists of the past (and present). Restaurants: Inspirations from living artists’ #experiments. Kitchens: Experiments by the artists in us all.
#yam’Tcha #paris #restaurant Chef’s Table: France – Adeline Grattard
Dec 22, 2017 Update: Wonderful to try the baos (buns) yesterday lunch and got a chance to have a wonderful long chat with Chi Wah as the store was a bit quiet because of the rain in Paris.
Long Hair (Leung Kwok-hung 梁國雄) was forced into the biggest fight of his political life with the recent unjust retroactive court ruling that robbed his Legislative Council seat. As I was digitizing the 25 hours of miniDV tapes I filmed to make Long Hair Revolution, I decided to turn some clips into deleted and extended scenes and used them as calls for help for Long Hair. #Donate #LHRDeletedExtendedScenes I stole the following words from a friend, I hope she doesn’t mind.
//Long Hair needs money for the battle ahead. The HKSAR and CCP government will do everything possible to bankrupt him, jail him, and destroy his movement for democracy in Hong Kong. They are threatening to dun him for 9 months of back wages, and have saddled him with millions of dollars in court costs. I’m reaching out to all of my friends, in and out of Hong Kong, to ask for your help. Please, please donate to keep his work and our dream alive. Here is an easy link. https://www.lsd.org.hk/donate/?lang=en
The donations are done with PayPal or credit card, and can be recurring or one-time-only. (For those of you unfamiliar with HK dollar amounts, 200 HKD is about 25 USD.)
Many many thanks! You are backing a noble man and a worthy cause. And if you’d like to know more about our Hong Kong situation, please reach out with questions and I’ll be happy to answer.//
This is NOT my documentary but I really enjoyed the newly released Guardian documentary “The Infamous Chalk Girl” by San San F Young (web, @ssfyoung) (Producer, Camera, Director) so I want to share it here. Have a watch!
P.S. My favourite scene is at the 20:45 mark and I left this comment: “This is a very touching scene to me. Chalk girl was asked what would she draw now?“
“Once the plaything of children, the hobbyhorse—a stick with a horse’s head—takes on greater importance and symbolism for a group of Finnish teens who organize flash mobs and post videos dedicated to the object of their devotion. The (mostly) girls who practise competitive hobbyhorse dressage and show jumping are not horsing around. With backs straight, shoulders square, knees up and toes pointed, these fantasy athletes are part of an underground scene and sport that’s taking hold of a new generation of riders—who also happen to be the ride. With a punk rock attitude, these hobbyhorse rebels use make believe and social media to challenge what’s considered age-appropriate or different. Bullies be damned. Hobbyhorse Revolution catches a trend in its infancy along with the imaginative and brave pioneers who refuse to be categorized or kept down for being true to themselves and their passion. Angie Driscoll“
Comments Off on Hobbyhorse Revolution – North American premiere at Toronto’s Hot Docs Festival | Canada, Documentary, YouTube | Permalink Posted by kempton
A documentary about the Wukan Village’s (烏坎村) Democracy Experiment that happened after the protests is a film that I wish I had the guts, access, ability, and talent to make. Have a watch of the full six-part series playlist on Youtube (more info on Aljazeera) or you can click the episodes below. Also check out Lianain Films’ James and Lynn Facebook and website.
Wings of Hope (2000) Quoting Wikipedia, “In 1971, while Herzog was location scouting for Aguirre, the Wrath of God in Peru, he narrowly avoided taking LANSA Flight 508. Herzog’s reservation was cancelled due to a last-minute change in itinerary. The plane was later struck by lightning and disintegrated, but one survivor lived after a free fall. Long haunted by the event, nearly 30 years later he made a documentary film Wings of Hope (2000) about it, which explored the story of the sole survivor Juliane Koepcke.”
20190812 Director new preface re the word “Revolution”:
The title of my debut documentary “Long Hair Revolution 「長毛革命」” was decided in 2004, so 15 years ago. The rationale is similar to “industrial revolution” or “internet revolution”, ideas for improvement. Nothing to do with violence.
It saddens and pains me that Hong Kong today has deteriorated so badly that the word “Revolution” has now been twisted by both the HK and BJ governments to mean violence and the guaranteed and international recognized free speech right is almost gone in HK.
可憐今天的香港, 還是逃不了中國幾千年以來皇帝”以言入罪”, 沒有”言論自由”的悲哀。
=====
Director/producer/independent reporter Kempton Lam has made three full-length documentaries from 2004 – 2015. Kempton’s debut documentary Long Hair Revolution 「長毛革命」 has been collected by the Canadian National Archive since 2009. The three documentaries are collectively known as “Revolution Trilogy” 「革命三部曲」 and are in Cantonese with English subtitles (廣東話、英文字幕). You can watch the three films at this YouTube Playlist (beautifully projected on your big screen HDTV or on your computer). Enjoy!
Watch my new documentary HKtv Revolution 香港電視革命 (with English & Chinese subtitles) in this stranger than fiction time. Love to hear your feedback. (note: you can use Chromecast or Apple TV to watch this on your HDTV)
在這個比小說更離奇更荒謬的世代，請讓我分享紀錄片「香港電視革命」(中英文字幕)。請留言，寫下您寶貴的意見。(注意：您可以使用Chromecast或Apple TV 放上您的高清電視觀看)
1) Watch HKtv Revolution 香港電視革命 in a “stranger than fiction” time
As our real world is often stranger than fiction, you are invited to watch HKtv Revolution 香港電視革命 to witness and reflect what HongKongers had gone through in the last few years in fighting with the CY Leung Hong Kong SAR government for their simple “rights” to watch some good TV shows.
Why March 2016 is especially “stranger than fiction”? When HKTV’s license application was first rejected in 2013, as you will learn in the start of the film, the CY Leung government claimed it worried about “cut throat competition” might lead to lower programming quality. Well, after watching the slow sinking of ATV (the one of only two free-to-air TV broadcasters in HK) in 2015/2016, we now have positive proof how ridiculous that “cut throat competition” claim was!
In recent months, ATV had trouble paying salaries of its hundreds of employees, still own many employees millions in wages, hadn’t been paying its broadcast license fees to the government for months, and couldn’t even pay the service/maintenance fees for its elevators (so ATV employees had to walk up the stairs to work), etc. And ATV’s liquidator accounting firm Deloitte finally announced on Thursday (March 3rd) evening that it will dismiss almost all ATV employees!
And after Deloitte’s announcement, ATV investor came out to flaunt a case of ‘cash’ at press conference in last-ditch attempt to save ATV (see news #2 below). The cash flaunting event later became even more of a farce as news media spotted (news #5 and #7 below) that the stacks of HK$ 1,000 bank notes were propped up by empty boxes and HK$ 100 notes to give an appearance of a fuller box of HK$ 1,000 bills!
As ATV shuts its broadcasting down in the coming days, after close to 59 years of continuous operation, I hope you will enjoy and gain some insight watching HKtv Revolution 香港電視革命 in our turbulent and “stranger than fiction” time.
Please (pretty please) rate & review the film at IMDb, it is easy and it helps spread the words of the film.
I hope you enjoy the film (on your big screen HDTV or your computer) as much as I in making it. Feel free to post any questions you may have re HKtv Revolution 香港電視革命. And I definitely appreciate your time in leaving me any words of encouragement.
My best,
Kempton
Director of “Revolution Trilogy” (革命三部曲)
2005 Long Hair Revolution 長毛革命 (watch online)
2015 HKtv Revolution 香港電視革命 (watch online)
2015 Umbrella Revolution: History as Mirror Reflection 雨傘革命實錄：以史為鏡
Database search of Long Hair Revolution at Library and Archives Canada=
It will always be one of my great honours to have my first documentary in 2005 “Long Hair Revolution (長毛革命)” be placed and collected by the National Archive of Canada (Government of Canada Item Number (ISN) 416953 at Library and Archives Canada). At the same time, as an independent filmmaker with limited resource, I’ve tried, shamelessly, to leverage this honour help me open many windows and doors in my documentary making journey.
I often mention”Long Hair Revolution (長毛革命)” and sometimes the National Archive connection (like today) when arranging face-to-face or Skype video interviews, requesting copyright owners’ permissions to use their works (photos, artworks, video clips, etc) to help give myself instant “credibility” and hopefully smooth things out. Opening these windows and doors are crucial to my ability to try to make (HKtv+Umbrella)Revolution (香港電視+雨傘)革命 a reasonably “good” documentary since part 2 my documentaries (namely the “Umbrella Revolution” part) is heavily (or almost totally) “crowd sourced”.
P.S. To my friends and supporters: Yes, I am trying to fix the giant 10 years gap between my first documentary and my second film! I guess which is why I am making my 2nd and 3rd film together! Will see what happen.
“Humanity [RenWen] Junior High School is a non-traditional school in Taiwan. To encourage free development, there is no ranking based on grades. On the other hand, however, students must face the same standardised tests as students from traditional schools in order to progress to senior high.
The director, aged only 14 at the time of filming, used his camera to record what his classmates said as they faced the challenge, and to explore the motivations behind studying.“
When Yang was only 14 years old in 2009, he started filming footage for an earlier 6 minutes version of this film called 《不想考基測 The Soul》(2010)). Majority of the filming for Reason to Studywas completed in 2010 with brief update footage of the documentary subjects at the end of the film. Readers may be amazed to hear that Yang already had 70+ hours of footage to work with to create his 6 minutes short 2010 film《不想考基測 The Soul》 (viewable on YouTube). And then 300+ hours of footage to work with in his latest 93 minutes feature “If There is a Reason to Study” (學習的理由).
The film is a frank and interesting look at education in RenWen and it even features the film director taking a public exam specifically for this film in order to experience what his schoolmates experienced through the eyes of the young director (14/15 years old at the time). The film is screening on 17/9 (Wed) at 7:30 pm & 21/9 (Sun) at 2:30 pm at agnès b. CINEMA, Hong Kong Arts Centre (香港藝術中心 agnès b. 電影院).
Jo Ho Ka Wui (何嘉滙) is the co-director of HK documentary Women’s Horizon (好風景) with Bryan Chang Wai Hung (張偉雄). A documentary that recorded the lives of five Hong Kong women from 2010 to 2012. Here is a description of the five women from the film outline,
“Kitman, a big fan of online sweepstake; Charlene, a dance instructor and urban fashion shop owner; Esther, growing up in in a christian community aspiring to live the life within the church; Chan Hei, was an advocate for the fair treatment of sex workers and is employed at a bookstore; Kai Kai, Representative of the League of Fanling North Villages and Residents.”
When Jo and Bryan were first planning to shoot Women’s Horizon in 2010, they talked about being inspired by the British Up Series documentary that has “followed the lives of fourteen British children since 1964, when they were seven years old.” The directors of Women’s Horizon hopes to revisit the lives of the five Hong Kong women in a few years to make another documentary. Over the two and a half years, the filmmakers made the documentary with their own money and shot ~60 hours of footage and editing the footage down to a 58 minutes documentary.
The 2013 Calgary International Film Festival (CIFF), running September 19-29, just announced the moving documentary Bending Steel is having its Alberta premiere on Sept 20th & 21st (CIFF info & tickets purchase), a film that world-premiered at Tribeca, selected by Hotdocs and has received praises from The Hollywood Reporter, Indiewire, and Toronto Standard. Bending Steel‘s trailer is quite moving . It is a documentary “about an introverted man who decides he wants to become an old-time strongman.” Director Dave Carroll said, “The conflict in the film is when he tries to get out and perform in front of people, he is really up against some of his greatest fears, interactions with people and judgement, and it becomes quite a problem, something he has to overcome.”
Bending Steel is Carroll’s documentary directorial debut funded out of his and award-winning producing partner Ryan Scafuro‘s own pockets with friends’ help and money from a $25,000 Kickstarter project. Carroll first met the documentary introverted subject Chris “Wonder” Schoeck when he and his dog heard a noise while doing laundry in the basement of the building he and Schoeck lived in and that “startling” chance encounter lead to an idea for a short documentary which turned into a feature-length documentary project that spanned 2.5 years and generated 200+ hours of footage.
I love the spirit contains this excerpt from Schoeck‘s “Why Bend?” blog entry (with emphasis added), “Always remember constant progress. Grab a tougher bar and push with everything you got. The bar may not go at first, but remember if it flexes it can be bent. Through time you will bend it. The struggle forces you to reach deep into your mind. Remember its all about the journey. Soon you pity those that have early success. They miss out on that journey.” Have a watch of Schoeck doing some cool steel scrolling! Love it!
“Introverted, middle-aged Chris Schoeck has lived in the New York City borough of Queens his entire life. He feels no sense of home or belonging—until he starts bending steel, transforming himself into an old-time strongman. Suddenly, his life changes.
Bending Steel follows Chris as he prepares for a major performance at Coney Island. As he trains Read the rest of this entry »
Posted by kempton 
Subscribe to RSS Feed
Subscribe by email
