(video) LOVE Talk 幸福定格 (7 years filmed 8 couples) director Shen Ko-shang 沈可尚 interview

Wednesday, 26 September, 2018

I recently had the great pleasure of having an extensive 2-hour interview with Taiwanese award-winning director of LOVE Talk 幸福定格 (see below for synopsis) Mr. Shen Ko-shang 沈可尚. after watching his new documentary (spent 7 years to film 8 couples) which I really enjoyed and found insightful.

最近慶幸有機會訪問台灣得獎導演沈可尚兩小時,詳談他非常好看及發人深省的新紀錄片”幸福定格 LOVE Talk” (七年時間拍攝八對夫妻) (影片簡介見文章末).

20180925 沈可尚導演訪問 Interview with Director SHEN Ko-shang

LOVE Talk 幸福定格 movie poster

LOVE Talk 幸福定格 movie poster

Trailer 預告片

Ko-shang was very accommodating in letting me asked questions in English (with some Mandarin translation when necessary) and then he answered in Mandarin.

沈導演非常包容合作, 樂意讓我用英語發問(必要時加上一些普通話翻譯),然後沈導演用普通話回答。

Since Ko-shang gave some very broad, in-depth, very insightful and sometimes unexpected answers, I wasn’t sure if it is useful or unhelpful to break the Q&As down and provide precise time codes to help viewers access a specific section.

由於沈導演給出了一些非常廣泛,深入,有見地且有時出乎意料的答案,我也不確定是否應該把每一段問答(Q&A)分開,並提供時碼 (time codes, 時分秒)以幫助觀眾跳到訪問特定的時碼是否有益。

My suggestion is to watch the whole interview from beginning to end so it flows better. But if you must, see below for linked time codes and my questions.

我建議從頭到尾觀看整個訪問,以保流暢。 但是,如果你覺得有幫助,訪問片段之後有我的題問和相關的時碼 (time codes) 連接。

LOVE Talk 幸福定格 director Mr. Shen Ko-shang 沈可尚 interview

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Here are some of the questions asked: 以下是訪問中的一部份問題:

Question @1m45s I heard from a HK organizer of Chinese Documentary Festival (第十一屆華語紀錄片節) the first screening of “Love Talk” was sold out on the first day of ticket sales. And the second screening are almost sold out. So they added a third screening.

How do you feel when hearing this good news? Do you feel pressure from anticipation of the audiences?

Question @3m52s Are you looking forward to Q&As with HK audiences?

Question @5m10s In 2010, you pitched 幸福定格 with the English title “Double Happiness Limited” at the CCDF pitching forum (華人紀錄片提案) and now 7 years + editing time later, 幸福定格 has evolved into “LOVE talk” (with the letters
L.O.V.E. in upper case).

Can you talk about what did you try to capture in the beginning and what did you get at the end?

Question @14m07s So it took 14 months to make: 賽鴿風雲 RACING PIGEON IN TAIWAN, 3 years to make: 築巢人 A Rolling Stone, and now 7 years to make 幸福定格 LOVE talk filming 8 couples.

How did you feel during the 7 years of filming and about one year of editing? Were you very worried about not getting what you want or need?

Question @21m28s When you decided you to start editing, did you ever go back to film more footage?

Question @29m03s Are there cases after their chats were filmed, they asked you to delete the footage or promise not to use them? If not, what would you have done if you were asked?

Question @37m26s If you had a time machine and could time travel to 10, 20, or 30 years into the future to talk to the grown up children of the couples, what would you tell them? Would you thank them? What would you say?

Question @44m11s How did you decide to place the funny moments, the heart warming moments, the tense and stressful moments in the film? In a sense, how did you discover the flow of the film?

Question @1h03m14s Since LOVE talk has already screened at film festivals in places like 西寧, 武漢, and 北京, and you’ve Q&As, something I understand you enjoyed. Can you give examples of three memorable audience questions that you were asked and your answers?

Comment @1h12m01s Mr. Shen: “In the three screenings, audiences all have asked this question.

Question @1h15m20s Some viewers who have watched a promotional clip would have learned one of the women in the movie had stage 3 liver cancer. After rematching the film, I realized it wasn’t mentioned it the movie. Can you explain a little of your reasons of actually NOT giving much details about the couples and what happened to them as some scenes ended mid-argument?

Comment @1h16m42s Mr. Shen: “The most important message of this film is “TALK“.

Question @1h18m56s My question about naming the film “TALK love” since TALK is so important?

Question @1h20m56s In the end of the film, we learned one of the husbands was in HK? Is he still working in HK? And do you know if he plans to attend one of the screenings?

Question @1h23m37s German director Werner Herzog is known for making some great documentaries and drama. I love his documentaries: Grizzly Man , Cave of Forgotten Dreams and his dramas like Rescue Dawn. You yourself have made both dramas and documentaries in your career. Can you briefly talk about your processes in coming up with ideas, planning, and making documentaries vs dramas? Do you have a favourite genre: documentaries or dramas?

Question @1h33m10s When you write your script, do you have actors/actresses in mind playing those roles? And how do you cast actors/actresses to act in your movies? Canadian director David Cronenberg once used YouTube interview videos to help him cast a movie (Twilight superstar Robert Pattinson in his movie Cosmopolis).

Question @1h44m42s What next for you with “LOVE talk”? Which festivals are you scheduled to attend? And will people in Taiwan get to see “LOVE talk” in film festivals or main theatres?

Question @1h47m25s What do you look forward in your upcoming trip to HK? What do you like to eat? What do you usually do in HK?

Question @1h48m33s Some of your HK friends make documentaries. Do you end up talking shops and each others’ movies with your documentary filmmaking friends?

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Here are some official film stills of LOVE Talk 幸福定格:

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LOVE Talk 幸福定格 @ The 11th Chinese Documentary Festival 2018
Date Time Venue
17/10 (Wed) 2:30 pm Lecture Hall, Hong Kong Science Museum*
18/10 (Thur)【Additional Screening】 9:50 pm MOViE MOViE Cityplaza*
20/10 (Sat) 3:30 pm MOViE MOViE Cityplaza*
*Q&A session with the director

** From LOVE Talk 幸福定格 promotional materials **

//LogLine:
He spent 7 years looking for the secret to the preservation of marriage. Taiwan director Shen Ko-shang, after his first year of marriage, started to question his marital life, and with these questions, he had been shooting 8 couples for 7 years. He invited them to have conversations in front of the camera, while the topics ranging from their in-law issues, children upbringing problems, to the division of responsibilities in their marriage, in order to seek for the answers to two questions: Do people really need marriage? How exactly do two people get along with each other for a lifetime?

Synopsis
One finds love, marries and then expects happiness. Once in marriage, love alone ceased to be the only thing that bonds the two together; things of more complexity are added to the play. A conversation, an exchange, is the only possible means of dissolving the boundary between two individuals. The film focuses on daily conversations between eight couples. In their trivial dialogues of love, husband and wife question each other on topics ranging from sex, parenting, housework division, problems with their mother-in-law, and even dullness of marital life. The conversations reflect the authenticity of characters’ conditions of living, exploring the depth of intimate relationship in marriage while at the same time shedding a dim light on the significance of happiness. Perhaps this sort of happiness lies in the journey where seeking is the end itself, and it can certainly not be captured in frame.//

//影片簡介
作品曾獲亞太影展最佳紀錄片、臺北電影節首獎導演沈可尚,歷時七年,執著記錄八對邁入婚姻殿堂、時間長短不一的夫妻生活對話,他們開誠佈公、質問著對方日常生活中不會觸及的話題,從為什麼要與對方結婚到不再有激情的婚姻生活;是否厭倦對方到一觸及發的婆媳問題;還有關於性、關於生孩子、關於受不了對方的點點滴滴…。
其中中國大陸的小夫妻阿飛和樂會,他們在共同打工的地方認識、相愛、結婚,通過質樸的對話,可以看到內地年輕一代農民工的婚戀觀念;來自臺灣的白領年輕夫妻勇諴和薇之,他們展現了城市新潮夫妻的對於婚姻生活的期待與妥協;另外還有教授、小吃店老闆、白領職員、藝術工作者、創業家、家庭主婦等來自不同地方不同處境的夫妻,將帶領觀眾再次反思自身對婚姻與幸福的定義。//

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Further exploration (interviews & news):

*) Ko-shang did an insightful and fun to listen to hour long interview with 人氣心理專家鄧惠文 (精神科醫師/心理治療師) on her radio show. You can listen to the full News98 radio show on YouTube.

*) 《幸福定格》導演沈可尚:婚姻,比愛情深刻,比親情好玩 (ref)

*) 导演沈可尚:爱比我们想象中的复杂得多

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Molly’s Game – insightful interviews, TIFF Q&A, and trailer

Sunday, 7 January, 2018

I really enjoyed Aaron Sorkin‘s Molly’s Game (starring Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera). Love how Sorkin saw and got more out of Molly Bloom‘s stories than just those in her book “Molly’s Game: The True Story of the 26-Year-Old Woman Behind the Most Exclusive, High-Stakes Underground Poker Game in the World”. (note: this Vanity Fair article is worth reading, “Inside the Viper Room: Hollywood’s Most Exclusive Poker Game“) Here is a trailer and then a ton of in-depth interviews, TIFF Q&A, and other insightful clips that I have or plan to watch. Enjoy!

MOLLY’S GAME – OFFICIAL TRAILER [HD]

DP/30: Molly’s Game, Aaron Sorkin

DP/30: Molly’s Game, Jessica Chastain

DP/30 Abbreviated Chat: Molly’s Game, Idris Elba

Molly’s Game – TIFF World Premiere Q&A – Aaron Sorkin and Jessica Chastain Read the rest of this entry »


Arrival – my random thoughts

Friday, 5 May, 2017

If you haven’t seen Amy Adams & Jeremy Renner‘s Sci-Fi film Arrival directed by Denis Villeneuve (Prisoners (2013) and Sicario (2015)), go watch! I’ve written an extensive post with many video links here.

Here are my random thoughts:


Women’s Horizon (好風景) documentary film review

Tuesday, 9 September, 2014
Women’s Horizon (好風景) HK documentary

Women’s Horizon (好風景) HK documentary

Documentary title: Women’s Horizon (好風景)

Directors: Jo Ho Ka Wui (何嘉滙) and Bryan Chang Wai Hung (張偉雄).

Casts: Kitman, Esther, Kai Kai (佳佳), Charlene, Chan Hei (陳熹).

Film rating: **** out of 5

Film review:

Women’s Horizon (好風景)  is documentary that recorded the different small slices of lives of five Hong Kong women from 2010 fall to 2012 spring. In 58 minutes, the filmmakers were successful in getting the viewers to see how the five women living their lives and for this reviewer, to care about them all. The filmmakers were careful in telling/reminding the viewers by putting up slides on screen part way through the film stating “We are not comparing or judging. We don’t want the audience to generalize all Hong Kong women either. This might only a be a tiny part of their life. Going in front of the camera may cause hesitation or glossing over issues, We want to capture that brief moment of their sincere reality.

Without heavy hands nor trying to sensationalize things, the film gives viewers windows to the women’s work lives, family lives, their aspirations, their disappointments, their dating/love lives, and more. And at one point, we felt like an intimate participant along Kai Kai’s political protest and can emphasize the changes she must have gone through since the beginning of the film.

Watching the film, there are many scenes with Kitman, Esther, Kai Kai, Charlene, and Chan Hei that put a smile on my face, made me laugh out loud, got me thinking, felt sad, and got me scared for what I saw on screen. These are signs of a good documentary.

As far as this reporter knows (plus checking with Jo), Women’s Horizon is possibly the first Hong Kong documentary that wishes/plans to come back to revisit the same documentary subjects in a few years time (if the documentary subjects are willing to participate). Jo mentioned to this reviewer in an video interview that she and Byran were inspired and influenced by the British Up Series when they were planning the documentary in 2010. As a big admirer and lover of the Up Series, this reviewer hopes Jo & Byran’s wishes will come true and viewers will have the pleasure to learn more about Kitman, Esther, Kai Kai, Charlene, and Chan Hei in a few years.

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Women’s Horizon (好風景) film outline,

“[Women’s Horizon (好風景)] Paints a portrait of five unique Hong Kong women. Kitman, a big fan of online sweepstake;; Charlene, a dance instructor and urban fashion shop owner;; Esther, growing up in in a christian community aspiring to live the life within the church;; Chan Hei, was an advocate for the fair treatment of sex workers and is employed at a bookstore;; Kai Kai, Representative of the League of Fanling North Villages and Residents. The documentary recorded their lives from 2010 to 2012. It represents a history of their growth, a reflection of their temporal moods and aspirations for the the future. The images filmed are like five mobile mirrors into individual lives revealings their feeling intentionally or unintentionally. The documentary is not aiming to judge but solely at catching a glimpse of the women’s innermost feelings in this era.”

Here is a trailer,


Goodbye Roger Ebert (1942-2013)

Thursday, 4 April, 2013

Terrible sad day for movies lovers to hear the news that Roger Ebert is no longer with us. I’ve got the pleasure and honour to met him once in 2000 at the Toronto International Film Festival. He was pleasant, nice, and larger than life. I remember in one screening, a volunteer had no idea who he was and didn’t let him get into the theatre for a screening which got him quite upset. I think they eventually figured out who Ebert was and let him in.

I love how Ebert writes about movies and can bring out things that I miss even though sometimes our tastes are not quite the same.

Goodbye Ebert. I know wherever you are, they will be playing movies you love non-stop.

Roger Ebert dead at 70 after battle with cancer” Apr 4th, 2013, Chicago Sun-Times obituary

EW, “Werner Herzog on Roger Ebert, ‘the good soldier of cinema’ — EXCLUSIVE

I then read these two pieces by Ebert, “A letter to Werner Herzog: In praise of rapturous truth” and “review of Encounters at the End of the World

Apr 5th, 2013 update:

via PBS, “In this 1994 clip, Roger Ebert answered the question: What final message would you leave for future generations?

TorStar, “For Roger Ebert, it was always about the movies: Howell

CBC, “Roger Ebert mourned by world leaders, film industry vets

The Hollywood Reporter, “THR’s Todd McCarthy Remembers Roger Ebert


Argo, Oscars, Grateful President Jimmy Carter, Ben “WTF” Affleck

Sunday, 24 February, 2013

Oct 15, 2015 update: It is with deep sadness that I report the passing of Ambassador Ken Taylor at 81. CTV News report with video. Global News report (with video).

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President Jimmy Carter vs. Ben

90 percent of the contributions to the ideas and the consummation of the plan was Canadian. And the movie gives almost full credit to the American CIA. And with that exception, the movie is very good.” — Former President Jimmy Carter on Ben Affleck’s movie ‘Argo’ to CNN’s Piers Morgan.

There’s nothing much right from Day 1 I could do about the movie [Argo]. I changed a line at the end because the caption at the end was disgraceful. It’s like Tiananmen Square, you are sitting in front of a big tank.” – Ken Taylor

Many people (including me) are predicting Argo will likely win Best Picture in The Oscars tonight. So no time is better than now to set the record straight and urge Mr. Ben Affleck, director/actor of Argo to thank Canada and Canadians in his Oscars acceptance speech. If I may be frank and honest, Mr. Ben “WTF” Affleck, enough is enough. Your drama license to twist history to enhance your story telling makes this and other Canadians angry. What will Americans feel if filmmakers from UK or France rewrite history in a “based on real events” movie and minimize the US effort in World War II? Ben, Man up and thank Canada and Canadians in your Oscars speech tonight. If not, I’ve decided to change your name to Ben “WTF” Affleck!

President Jimmy Carter on Argo in Speech at Queen’s University Nov 2012

AP, “Canada deserves Argo Oscar mention, ex-ambassador says ‘The Canadians were brave’, says ex-ambassador Ken Taylor

AP, EX-CANADA AMBASSADOR SLIGHTED BY AFFLECK’S “ARGO”

The original postscript of the movie said that Taylor received 112 citations and awards for his work in freeing the hostages and suggested Taylor didn’t deserve them because the movie ends with the CIA deciding to let Canada have the credit for helping the Americans escape.

Taylor called the postscript lines “disgraceful and insulting” and said it would have caused outrage in Canada if the lines were not changed. Affleck flew Taylor to Los Angeles after the Toronto debut and allowed him to insert a postscript that gave Canada some credit.

Taylor called it a good movie and said he’s not rooting against it, but said it is far from accurate.

“He’s a good director. It’s got momentum. There’s nothing much right from Day 1 I could do about the movie. I changed a line at the end because the caption at the end was disgraceful. It’s like Tiananmen Square, you are sitting in front of a big tank,” he said.

THR, “Ex-Ambassador Again Slams ‘Argo’ for Canada Snub

The full convocation video with President Carter. (portion related to Argo, ~25:55 – 28:15) Queen’s University press release.

An excerpt from the transcript of President Carter on CNN Piers Morgan with my extensive notes,

“MORGAN: A scene from the Oscar-nominated film, Argo, about a daring rescue during the Iranian hostage crisis. I’m back now with former President Jimmy Carter, who was, of course, in the White House at the time. You’ve seen Argo, I take it? How accurate is it from your memory?

CARTER: Well, let me say first of all, it’s a great drama. And I hope it gets the Academy Award for best film because I think it deserves it. The other thing that I would say was that 90 percent of the contributions to the ideas and the consummation of the plan was Canadian. And the movie gives almost full credit to the American CIA.

And with that exception, the movie is very good.

But Ben Affleck’s character in the film was only — he was only in — stayed in Iran a day and a half. And the main hero, in my opinion, was Ken Taylor, who was the Canadian ambassador who orchestrated the entire process.

I was informed about it the first day. And I was very much involved with the Canadian government because the Canadian government would not legally permit six false passports to be issued. So the Canadian parliament had to go into secret session the first time in history, and they voted to let us use six Canadian passports that were false. [Kempton’s note: Lets be clear, I doubt the Americans will issue false US passports to Canadians if our roles were switched. Agree? To me, I am so proud of my government, and the cabinet (?, not the parliament?) in approving the false passports to help our friends in urgent need.]

MORGAN: But when you first heard about this outlandish plan to create a fictitious science fiction movie to get these hostages out, you’re the president of the United States. I mean, if this had gone badly wrong, you would have been an absolute laughing stock. So it’s a bold moment for you, for the presidency, for the country.

CARTER: Well, I don’t deny that, but it was much bolder for the Canadian government to do it because the Canadian government was not involved in the hostage crisis, as you know. They could have been hostages themselves had it been revealed. [Kempton’s note: This is absolutely the case! Remember, other countries (I will not shame them here) were asked to help the trapped Americans and they refused. Canada helped. And by helping, “Argo” is how Mr. Ben “WTF” Affleck decided to thank us?! WTF Ben!]

But as I said, you know, they did the primary work. And as a matter of fact, the American hostages left Iran and landed in Switzerland and landed before the Iranians ever discovered that they had been there.

When I left office, I ordained that we would not reveal any American’s involvement in the process, but to give the Canadians full credit for the entire heroic episode. And that prevailed for a number of years afterwards. [Kempton’s note: This is a right tactical move by President Carter. Totally different from what the movie implied.]

But I think it’s a great film, and it tells a dramatic story. And I think it’s accurate enough. [Kempton’s note: President Carter is nice. I am frank with Ben and is hoping I won’t have to call him Ben “WTF” Affleck after tonight. Will see.]

This article is cross posted in examiner.com by me.


Les Misérables Christmas Eve Musical Preview – One Day More!

Monday, 24 December, 2012

2012 #LesMis Christmas Eve composite

Dear Lovers of Les Misérables music,

One Day More! The wait for our dear LesMis (2012) is almost over! To help me relax and get this article started, I looped songs from the original French concept album and listening to classics like À la volonté du peuple (aka Do You Hear the People Sing?) and J’aivais Rêvé d’Une Autre Vie (aka I Dreamed a Dream)) [HT Aulina for introducing me to the French originals.]

Feel free to listen to À la volonté du peuple or J’aivais Rêvé d’Une Autre Vie as you read along this! Now lets focus on a few things musical.

1) Yes, LIVE Singing!

What does LIVE Singing really mean? The actors & actresses you see on screen, their images and singing would have been recorded LIVE together. So no faking or lip syncing at all! The Live Singing is going to be awesome!

If you haven’t seen the Les Misérables Singing Live Featurette yet, it is totally worth a watch!

Now, the Les Mis promotional machine would want you to believe the film’s LIVE Singing is “ground breaking” and “never been done before” without qualification. The fact is filmmakers in the past have done it. Here is Candice Bergen singing in a comedic scene with Burt Reynolds in Starting Over. Don’t tell me Candice actually recorded this in studio first and then managed to lip sync to the bad comedic singing! :)

I guess I will be happier if the promotional hype is toned down a little.

2) Russell Crowe can seriously act! But seriously, can Russell sing?!

OK, Russell is in a rock band but this is Les Mis! And we are talking about the critical role of Javert! So I had to look for some positive reassurance. And I found Russell and Hugh Jackman singing in this Les Misérables clip. Unfortunately, the clip wasn’t quite the “high notes” I had hoped for. But as luck would have it, I ended up discovering & watching the YouTube clip of Russell and Hugh singing “The Confrontation” at a private Indoor Garden Party at Joe’s Pub NYC.

Sure, the sound quality in the clip and setup was no where near great but it strangely eased my worry a bit more. Not completely, but a little more. I see/hear something in the pub performance, and I trust Russell to be a perfectionist that he would have practiced a ton and done takes and takes and takes … until he and director Tom Hooper think he got things right. Following the “trust, but verify” advice: I trust Russell can deliver but I am eagerly waiting to watch the film to tell decide for myself!

3) Hugh Jackman can sing!!!

If there is an absolute “sure win” performance in Les Mis, it the  awesome Tony-award-winning Broadway star Hugh (also known for being Wolverine) ! His singing of “Who Am I” is wonderful and interesting. I will have a “risky” technical discussion later.

Now, is there anything the awesome Tony-award-winning Broadway star Hugh (also known for being Wolverine) can’t do?! Well, apparently he can make pancake too! Correction: not just pancake but Crêpe according to Anne on Letterman promoting the film!

Hugh Jackman’s opening number at the 2009 Oscars (with Anne)

4) I LOVE Anne Hathaway as Fantine!

If you haven’t done it already, please hear Anne sings and watch she performs I Dreamed a Dream in this trailer.

Anne‘s increasingly skillful acting, her 25 lb weight loss (absolutely crazy in creating the desired look), and her singing combine together will, I believe, create a transcending experience that we have NEVER experience in a LIVE singing musical film EVER.

I have to admit I used to quite like Les Misérables (1998 film) starring Liam NeesonGeoffrey RushUma Thurman, and Claire Danes. But when I recently borrowed the 1998 film from the library to watch again for my LesMis series research, I was only able to watch a few segments. I could not bare to watch it from beginning to end. As a drama with no singing, I found the film dry and a bit too much “Reason Before Passion“. LesMis needs the LIVE singing like we need oxygen, a LIVE singing film version of LesMis can, I hope, achieve “Reason alongside Passion“!

5) Samantha Barks can sing!!!

In case you don’t know already, Samantha actually “starred as Éponine in the London production of Les Misérables at the Queen’s Theatre” for a year from 2010-2011. Have a watch of her spectacular “On My Own” at the 25th anniversary performance of Les Miserables. Based on the trailers and the behind the scenes clips, I totally think Samantha will shine like a bright star in LesMis (2012)!

HuffPost, “‘Les Miserables’ Trailer: Samantha Barks Steals The Show In New Preview

6) Amanda Seyfried as CosetteEddie Redmayne as Marius Pontmercy

Amanda and Eddie are nice actor & actress and I’ve seen some of their work and love them. And I found this clip “God Is With Us (Eddie Redmayne singing)“. Eddie has a beautiful voice!

By the way, Eddie seemed like a nice guy when he won his Tony.

7) Helena Bonham Carter as Madame ThénardierSacha Baron Cohen as Thénardier

It should be a ton of fun to watch Helena and Sacha (you may know him as the awesome Borat). Because of the types of songs the two roles will perform, I suspect the two talents can easily handle the singing. I was able to find Sacha singing in Sweeney Todd. Have a watch.

By the way, for those who can only think of Sacha as the crazy & rude Borat, here is what Johnny Depp (co-star in Sweeney Toddsaid of Sacha,

“He’s not what I expected. I didn’t look at those characters and think, This will be the sweetest guy in the world. He’s incredibly nice. A real gentleman, kind of elegant. I was impressed with him. He’s kind of today’s equivalent of Peter Sellers.”

8)  A risky technical discussion re singing

I am not a musician nor trained in music in anyway. So to do the research for this article, I asked my music advisor (a trained soprano) for help. She made the point that words have to be articulated and sung loud and clear. Now, I love Samantha‘s “On My Own” at the 25th anniversary performance, but that is not good enough for my “ideal” LesMis (2012) performance. Why? Here comes my risky take. I think Samantha sang “On My Own” in a much too articulated and loud/clear manner! My preferred performance is one that somewhat goes against the years of training professional singers have learned by heart. With sensitive mic near by shooting the scene and the singing, the performer can be free to let the sung words play a subservient role to the core emotion need to be expressed at that moment. Think about what I just wrote and watch “On My Own” again. Am I way off base?

Under the above stated thinking, I personally think Hugh‘s “Who Am I” rocks! I think it may have a chance to become a more enduring performance than the many other “Who Am I” that we’ve heard before.

9) Concluding Thoughts

I think LesMis (2012) should do very well with lovers of LesMis the musical and lovers of musicals in general. But for the film to be a success in the box office for the studios to try something like this again with other musicals (which I hope they do), LesMis will have to be successful with the general audiences.

If I have time and there are enough interest, I may write an article about the business of LesMis (2012). Until then, it is One Day More! Tomorrow is LesMis on Christmas!

Cool references:

1) Songs from Les Misérables

2) Here are À la volonté du peuple and J’aivais Rêvé d’Une Autre Vie for your listening pleasure! :)

3) TIME Magazine, “They Dreamed a Dream: Les Misérables Is a Whole New Kind of Movie Musical

Note: This article will be cross-posted by me at examiner.


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