I’ll try to add to my collection of News Clippings regularly if I can. Here are a few added on 20200118:
– Vanity Fair, 20200111, “Greta Gerwig on the Lives of Little Women—And Why “Male Violence” Isn’t All That Matters – The filmmaker, who drew on Louisa May Alcott’s life and letters, dives deep into a particularly resonant page of her script.”
“This discussion I’m having Amy and Jo have is, in some ways, my thesis. Or at least part of my thesis. Initially I was worried it was going to be too on the nose, this discussion of writing, but it seems to be something that people fold into the emotional arc of the story, that it doesn’t stand out in blinking lights, like, HERE IS WHAT IT’S ALL ABOUT. In any case, this discussion of the subject of fiction as either conferring importance or reflecting it, is at the heart of my understanding of the book. It is one of the reasons this book is the book that so many female authors and creators point back to and say, “That is my book; Jo March is my girl.” […]
The very last two lines, about Amy being wise, aren’t directly from the book, but they are an extrapolation of one of my favorite lines of Amy’s—she says, “I don’t pretend to be wise, but I am observant.” That was one of the lines that I underlined and put little stars and exclamation points around because it was another key to the puzzle of Amy. She has always been seen as such a bratty character, with no depth or backbone, and yet when I revisited the book, I found her to be amazingly insightful and compelling. I wanted her to deliver some knowledge to Jo—sometimes creators don’t know what they create, and it is essential to have someone else reflect it back to you. And then of course Amy’s response to Jo, “You were just too busy noticing my faults,” is me in conversation with the 150-year-old audience of Little Women. It’s me—Greta, the author—saying, “WE MISSED HER! SHE WAS WISE ALL ALONG!”
In some ways this entire scene is that—a four-way conversation between me, the modern screenwriter, Louisa May Alcott, the characters of the book, and the audience as it spans across time and space. And I’m saying, it matters what we write. It matters what we make films about. I can because Louisa May Alcott did.”
20191226, 92nd Street Y, “Greta Gerwig on Little Women: Reel Pieces with Annette Insdorf”
20200106, THR Directors Roundtable, (I especially LOVE segments with Lulu & Greta) “Todd Phillips (‘Joker’), Martin Scorsese (‘The Irishman’), Lulu Wang (‘The Farewell’), Noah Baumbach (‘Marriage Story’), Greta Gerwig (‘Little Women’), and Fernando Meirelles (‘The Two Popes’) join Close Up with The Hollywood Reporter for this season’s FULL, uncensored Directors Roundtable.”
20190529, CBC Radio As It Happens, “Remembering Velma Demerson — the woman jailed in Toronto for living with her Chinese fiancé”
“Velma Demerson was a young woman in love with a baby on the way — and for that, she was jailed for nearly a year.
It was 1939 in Toronto and Demerson, a white woman, was engaged to Harry Yip, a Chinese man.
Police showed up at the couple’s home in May 1939 and arrested the then-18-year-old under the Female Refuges Act of 1897, a since-repealed law that allowed authorities to jail women for “incorrigible” behaviour such as promiscuity, pregnancy out of wedlock and public drunkenness.”
20200108 CBC News, Brief But Spectacular – Morgan Barense on Our Memory
“University of Toronto neuroscientist Morgan Barense has created an app called the HippoCamera, which mimics part of the brain compromised in Alzheimer’s disease. She offers her Brief But Spectacular take on how to improve our relationship with those suffering from memory loss.”