Journal of Design and Science (JoDS)

Journal of Design and Science (JoDS) launched by Joi Ito, Director, MIT Media Lab is one of my new favourite journals. Check it out.

  1. Design and Science by Joichi Ito is a great read!
  2. The Enlightenment is Dead, Long Live the Entanglement by Danny Hillis
  3. Age of Entanglement by architect and professor Neri Oxman
  4. Design as Participation by Kevin Slavin
  5. デザインと科学 by Hiroo Yamagata and Joichi Ito (I think this is the Japanese version of Design and Science)

Excerpts from Design and Science I found fascinating.

“//MIT Professor Kevin Esvelt who describes himself as an evolutionary sculptor. He is working on ways of editing the genes of populations of organisms such as the rodent that carries Lyme disease and the mosquito that carries malaria to make them resistant to the pathogens. The specific technology – CRISPR gene drives – are a type of gene edit such that when carrier organisms released into the wild, all of their offspring, and their offspring’s offspring, and so on through the generations will inherit the same alteration, allowing us to essentially eliminate malaria, Lyme, and other vector-borne and parasitic diseases. Crucially, the edit is embedded into the population at large, rather than the individual organism. Therefore, his focus is not on the gene editing or the particular organism, but the whole ecosystem – including our health system, the biosphere, our society and its ability to think about these sorts of interventions. To be clear: part of what’s novel here is considering the effects of a design on all of the systems that touch it.//

/Rethinking Academic Practice
MITx and edX are now helping the world by making lectures, knowledge, and skills available online to students everywhere in an organized way. The MIT Press, the Media Lab, and the MIT Libraries could serve a parallel role by creating a new model for academic interaction and collaboration, breaking down the artificial barriers dividing intellectual discourse. Our thinking is to create a vehicle for the exchange of ideas that allows all those working in the antidisciplinary space between and beyond the disciplines to come together in unexpected and exciting ways to challenge existing academic silos. Our aim is to create a new space that encourages everyone, not just academics, to come together to create a new platform for the 21st century: a new place, a new way of thinking, a new way of doing.//

//As participant designers, we focus on changing ourselves and the way we do things in order to change the world. With this new perspective, we will be able to tackle extremely important problems that don’t fit neatly into current academic systems: instead of designing other people’s systems, we will redesign our way of thinking and working and impact the world by impacting ourselves [7] [8].//

//[6]The irony that this feels a bit like an academic paper is not lost on me, but this is sort of like a viral gene therapy designed to penetrate the membrane of the academic system without trigger an immune response and then modify the host system from within.//”

The article “The Enlightenment is Dead, Long Live the Entanglement” is interesting to read but the three videos at the end are just epic cool to watch. Here are their descriptions.

  1. “Inspired by the silkworm’s ability to generate cocoon out of a single silk thread, Neri Oxman and her Mediated Matter Group designed and co-fabricated a 3m diameter Silk Pavilion using 6,500 silkworms to spin silk patches on top of CNC-deposited fibers.”
  2. “Hiorshi Ishii’s Tanglible Media group has developed a Dynamic Shape Display that can render 3D content physically, so users can interact with digital information in a tangible way.”
  3. “Hiroshi Ishii and his Tangible Media group are bridging the gap between “built” and “grown” by programming a living organism to create responsive and transformable skin coverings. Their BioLogic uses living cells as nano actuators, as well as the engineered materials, geometry and structure to achieve adaptive transformation. Biologic is an example of both the process and the aesthetic sensibility of Entanglement.”

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