Goodbye Roger Ebert (1942-2013)

Thursday, 4 April, 2013

Terrible sad day for movies lovers to hear the news that Roger Ebert is no longer with us. I’ve got the pleasure and honour to met him once in 2000 at the Toronto International Film Festival. He was pleasant, nice, and larger than life. I remember in one screening, a volunteer had no idea who he was and didn’t let him get into the theatre for a screening which got him quite upset. I think they eventually figured out who Ebert was and let him in.

I love how Ebert writes about movies and can bring out things that I miss even though sometimes our tastes are not quite the same.

Goodbye Ebert. I know wherever you are, they will be playing movies you love non-stop.

Roger Ebert dead at 70 after battle with cancer” Apr 4th, 2013, Chicago Sun-Times obituary

EW, “Werner Herzog on Roger Ebert, ‘the good soldier of cinema’ — EXCLUSIVE

I then read these two pieces by Ebert, “A letter to Werner Herzog: In praise of rapturous truth” and “review of Encounters at the End of the World

Apr 5th, 2013 update:

via PBS, “In this 1994 clip, Roger Ebert answered the question: What final message would you leave for future generations?

TorStar, “For Roger Ebert, it was always about the movies: Howell

CBC, “Roger Ebert mourned by world leaders, film industry vets

The Hollywood Reporter, “THR’s Todd McCarthy Remembers Roger Ebert


Happy 57th birthday, “Long Hair”, Leung Kwok-hung!

Wednesday, 27 March, 2013

I want to wish “Long Hair”, Leung Kwok-hung, happy 57th birthday, good health and all the best! Here is my 2005 documentary “Long Hair Revolution” filmed only two months after his election to Legislative Council of Hong Kong. I’m happy to say my first documentary has been added to the federal government “Library and Archives Canada” permanent collection in Ottawa.

Long Hair Revolution 長毛革命 @ national archive of Canada


ScrewYouApple – Indiegogo Funding Campaign

Saturday, 16 March, 2013

ScrewYouApple - official Project Pix

Please support my  Indiegogo Funding Campaign for my second documentary “ScrewYouApple”!

ScrewYouApple – Indiegogo fund raising promo

Documentary ScrewYouApple - Director’s Summary

ScrewYouApple is a tiny Pentalobe screw-inspired film of action that plans to formally ask Apple to stop screwing customers & Think Different again! ScrewYouApple will explore Apple’s multi-billion dollar cash-generating machine (possibly including the powerful App store) and also document my journey to formally ask Apple to stop screwing customers and get Apple to return to the inspiring ideals set out in Apple’s iconic Think Different “The Crazy Ones” Ad campaign. In a creative manner for a documentary, I intend to use a Shareholder Proposal as defined by the US Securities Exchange Act of 1934 (specifically Rule 14a-8) to formally ask Apple to Think Different again!

Please support the making of ScrewYouApple by choosing a perk on the right of the screen to join us on this epic journey, to try to change the world for the better.

(NOTE: If you are in China & unable to access YouTube video link, please try Youku.com.)

ScrewYouApple - Director’s Statement

If the 1989 documentary “Roger & Me” could be simplistically summed up as a film about director Michael Moore pursuing General Motor CEO Roger Smith to confront him about GM’s harm to Flint, Michigan, then may be ScrewYouApple could also be simplistically summed up as a feature-length documentary about crowd funders & supporters of ScrewYouApple combining our voices to try toformally ask Apple senior executives and shareholders to stop screwing customers and to Think Different again.

The creative spark for ScrewYouApple came from the tiny Pentalobe screws inside a MacBook Pro (see picture). I wondered what design/engineering purposes would the five-pointed Pentalobe screws have in serving Apple or its customers? After doing some research (CNet & iFixit), I learned the tamper-resistant Pentalobe screws (now used in wide range of Apple devices including iPhones) are there to stop customers from performing simple upgrades/repairs like replacing a battery, etc (in a sense to “screw” the customers) so that Apple can make more money. These tiny screws can be viewed as tips of Apple icebergs floating on top a sea change.

Pentalobe Screw Y✿u Apple

With your support, ScrewYouApple will explore the Apple’s multi-billion cash-generating machine (possibly including the powerful App store) and also document my journey toformally ask Apple to stop screwing us (one possible question: stop the use of Pentalobe screws) and get Apple to Think Different again (returning to the inspiring ideals set out in “The Crazy Ones“). (more about “formally ask” in Q&A #2)

Specifically, ScrewYouApple will include a look at the changes/evolution happening in Apple from the 1997 Think Different days to the 2013 Apple of today holding billions of cash. And to reach out to “screwed” Apple customers/former fans to hear and collect some of their stories. By makingScrewYouApple a crowd-supported feature-length documentary, the film aims to transform our singular voices into something loud and clear enough for Apple to notice. The making of ScrewYouApple can be viewed as an example of Marshall McLuhan’s famous quote, “The Medium is the Message.” (more details in Q&A #3)

Please support the making of ScrewYouApple by choosing a perk on the right to join us on this epic journey, to try to change the world for the better. The film’s current target completion date will depend on when I can “formally ask” Apple but you will receive many updates and video clips to watch from me along our epic journey if the fixed-funding campaign goal is met by the deadline!

Thanks for your support in making this film possible,

Kempton Lam (director & producer)

P.S. I don’t hate Apple. In fact, you may be surprised by Q&A #1.

Kempton’s filmography

Leung Kwok-hung (nickname “Long Hair”)

In 2004, Kempton single-handedly directed, produced, shot, and edited his documentary directorial debut “Long Hair Revolution“. The 71 minutes Long Hair Revolution is a film about the then newly elected Hong Kong legislator Leung Kwok-hung (nickname “Long Hair”), a Che Guevara t-shirt wearing rebel/activist. In 2005, Long Hair Revolution world premiered at the Calgary International Film Festival.

In 2009, Long Hair Revolution was acquired by the Canadian government’s “Library and Archives Canada” permanent collection where it “collects and preserves Canada’s documentary heritage, and makes it accessible to all Canadians.

“Long Hair Revolution” (長毛革命) selected to be part of Library and Archives Canada collection

Questions & Answers

Q1) Do you hate Apple? Have you ever bought any Apple products? Read the rest of this entry »


Argo, Oscars, Grateful President Jimmy Carter, Ben “WTF” Affleck

Sunday, 24 February, 2013

President Jimmy Carter vs. Ben "WTF" Affleck

90 percent of the contributions to the ideas and the consummation of the plan was Canadian. And the movie gives almost full credit to the American CIA. And with that exception, the movie is very good.” — Former President Jimmy Carter on Ben Affleck’s movie ‘Argo’ to CNN’s Piers Morgan.

There’s nothing much right from Day 1 I could do about the movie [Argo]. I changed a line at the end because the caption at the end was disgraceful. It’s like Tiananmen Square, you are sitting in front of a big tank.” – Ken Taylor

Many people (including me) are predicting Argo will likely win Best Picture in The Oscars tonight. So no time is better than now to set the record straight and urge Mr. Ben Affleck, director/actor of Argo to thank Canada and Canadians in his Oscars acceptance speech. If I may be frank and honest, Mr. Ben “WTF” Affleck, enough is enough. Your drama license to twist history to enhance your story telling makes this and other Canadians angry. What will Americans feel if filmmakers from UK or France rewrite history in a “based on real events” movie and minimize the US effort in World War II? Ben, Man up and thank Canada and Canadians in your Oscars speech tonight. If not, I’ve decided to change your name to Ben “WTF” Affleck!

President Jimmy Carter on Argo – Piers Morgan Tonight

President Jimmy Carter on Argo in Speech at Queen’s University Nov 2012

AP, “Canada deserves Argo Oscar mention, ex-ambassador says ‘The Canadians were brave’, says ex-ambassador Ken Taylor

AP, EX-CANADA AMBASSADOR SLIGHTED BY AFFLECK’S “ARGO”

The original postscript of the movie said that Taylor received 112 citations and awards for his work in freeing the hostages and suggested Taylor didn’t deserve them because the movie ends with the CIA deciding to let Canada have the credit for helping the Americans escape.

Taylor called the postscript lines “disgraceful and insulting” and said it would have caused outrage in Canada if the lines were not changed. Affleck flew Taylor to Los Angeles after the Toronto debut and allowed him to insert a postscript that gave Canada some credit.

Taylor called it a good movie and said he’s not rooting against it, but said it is far from accurate.

“He’s a good director. It’s got momentum. There’s nothing much right from Day 1 I could do about the movie. I changed a line at the end because the caption at the end was disgraceful. It’s like Tiananmen Square, you are sitting in front of a big tank,” he said.

THR, “Ex-Ambassador Again Slams ‘Argo’ for Canada Snub

The full convocation video with President Carter. (portion related to Argo, ~25:55 – 28:15) Queen’s University press release.

An excerpt from the transcript of President Carter on CNN Piers Morgan with my extensive notes,

“MORGAN: A scene from the Oscar-nominated film, Argo, about a daring rescue during the Iranian hostage crisis. I’m back now with former President Jimmy Carter, who was, of course, in the White House at the time. You’ve seen Argo, I take it? How accurate is it from your memory?

CARTER: Well, let me say first of all, it’s a great drama. And I hope it gets the Academy Award for best film because I think it deserves it. The other thing that I would say was that 90 percent of the contributions to the ideas and the consummation of the plan was Canadian. And the movie gives almost full credit to the American CIA.

And with that exception, the movie is very good.

But Ben Affleck’s character in the film was only — he was only in — stayed in Iran a day and a half. And the main hero, in my opinion, was Ken Taylor, who was the Canadian ambassador who orchestrated the entire process.

I was informed about it the first day. And I was very much involved with the Canadian government because the Canadian government would not legally permit six false passports to be issued. So the Canadian parliament had to go into secret session the first time in history, and they voted to let us use six Canadian passports that were false. [Kempton's note: Lets be clear, I doubt the Americans will issue false US passports to Canadians if our roles were switched. Agree? To me, I am so proud of my government, and the cabinet (?, not the parliament?) in approving the false passports to help our friends in urgent need.]

MORGAN: But when you first heard about this outlandish plan to create a fictitious science fiction movie to get these hostages out, you’re the president of the United States. I mean, if this had gone badly wrong, you would have been an absolute laughing stock. So it’s a bold moment for you, for the presidency, for the country.

CARTER: Well, I don’t deny that, but it was much bolder for the Canadian government to do it because the Canadian government was not involved in the hostage crisis, as you know. They could have been hostages themselves had it been revealed. [Kempton's note: This is absolutely the case! Remember, other countries (I will not shame them here) were asked to help the trapped Americans and they refused. Canada helped. And by helping, "Argo" is how Mr. Ben "WTF" Affleck decided to thank us?! WTF Ben!]

But as I said, you know, they did the primary work. And as a matter of fact, the American hostages left Iran and landed in Switzerland and landed before the Iranians ever discovered that they had been there.

When I left office, I ordained that we would not reveal any American’s involvement in the process, but to give the Canadians full credit for the entire heroic episode. And that prevailed for a number of years afterwards. [Kempton's note: This is a right tactical move by President Carter. Totally different from what the movie implied.]

But I think it’s a great film, and it tells a dramatic story. And I think it’s accurate enough. [Kempton's note: President Carter is nice. I am frank with Ben and is hoping I won't have to call him Ben "WTF" Affleck after tonight. Will see.]

This article is cross posted in examiner.com by me.


Les Misérables Review: 8 observations from a man who watched #LesMis twice on Xmas Opening

Wednesday, 26 December, 2012

2012 #LesMis Christmas Eve composite

Continuing my musical preview (clips) tradition, I’ve been playing some LesMis songs especially Samantha Barks’ “On My Own” while I write these 8 observations:

  1. Yes, I watched #LesMis TWICE, back-to-back on Christmas Opening! Why not when it was C$7.99 per ticket thanks to cheap Tuesday pricing!
  2. The little boy and young Cosette absolutely stole my heart! Awesome job by Daniel Huttlestone as Gavroche and Isabelle Allen as young Cosette. I totally expected the scenes with Isabelle’s Cosette to be great (a great young Cosette is key to LesMis), but Daniel’s Gavroche was a total breath of unexpected fresh air. What a lively performance. I do feel the scene of Gavroche‘s death could have been tweaked a little differently to make it even better.
  3. Anne Hathaway gave a wonderful performance as Fantine! I initially wrote (film unseen) and believed Anne would “create a transcending experience that we have NEVER experience in a LIVE singing musical film EVER.” After watching the film twice, I concluded that what made the film magical is the combined power of songs and images! Once I logically think that, I kinda forced myself to conclude all the songs (i.e. audio alone) in the LesMis 2012 can/will not replace the versions of the same stage versions I learned to love and treasure over the years. For me, I appreciate the wide vocal range and full volume of stage recorded musical versions which bring things up a notch, instead of to the near death tragic level matching the image we see on screen. Have a listen to “Lea Salonga – I Dreamed A Dream at the 25th Anniversary Concert” which I can listen to over and over again. I know Anne‘s rendition of I Dreamed A Dream made many people cry but I had expected so much much more from it and at the end it truly made me sad that I can’t honest say I love/like it. I wonder was it the camera movement, or the editing, or the really weak dying singing voice (in accordance to the style of the film)? I don’t know.
  4. Hugh Jackman gave an awesome performance.  I now confirm my belief that without Hugh, there is no LIVE singing LesMis! No disrespect to Hugh, I truly doubt the film’s renditions will have much lasting impact in replacing any other classics stage versions. By the way, you should know that “Colm Wilkinson, the original Jean Valjean in the Broadway and West End musical productions, makes a cameo appearance as the Bishop of Digne“! My ears were in heaven when I realized who Colm was and he was singing with Hugh!
  5. questioned openly if Russell Crowe can sing? Yes, Russell tried his best and he was great in ensemble scenes. And when the camera is closeup on Russell, his acting helped out his singing by quite a bit. Unfortunately, there were solo scenes that did not sound good enough, including the disappointing concluding classic number Javert’s Suicide. Given Russell is not a professional singer, I think he did the best he could.
  6. If you are curious, Roberta Duchak (Facebook) is the voice coach for Russell and Hugh.
  7. Samantha Barks rocks! You probably know Samantha actually “starred as Éponine in the London production of Les Misérables at the Queen’s Theatre” for a year from 2010-2011. So no wonder her “On My Own” is so well sung.Have a watch of her spectacular “On My Own” at the 25th anniversary performance of Les Miserables. I hope she will get nominated for an Oscar best supporting actress so we can see more of her.
  8. The pairing of Amanda Seyfried as Cosette and Eddie Redmayne as Marius Pontmercy rocks too. The scene where Cosette first met Marius was magical and remained magical for me the second time I watched it. Amanda has beautiful voice and she was perfectly casted as the innocent Cosette. I have seen Eddie acted before and now confirmed 100% that his voice is just divine. Yes, he also has won his Tony before.
  9. I LOVE LOVE LOVE the comic relief work done by Helena Bonham Carter as Madame Thénardier and Sacha Baron Cohen as Thénardier. Their roles added some needed fun and humour into a very serious film/musical. For those who can only see  Sacha as the crazy & rude Borat, I hope you now have been convinced. As Johnny Depp (his co-star in Sweeney Toddsaid of Sacha, “He’s kind of today’s equivalent of Peter Sellers.” Right on! And Helena is purely Helena! She can play this type of roles with both eyes closed and both hands tied in the back! Just awesome!
  10. I’ve seen two screenings, people clapped at the end of both screenings. A friend told me clapping also happened at her screening in Vancouver.
  11. Finally, LesMis 2012 changed the game of musical on film, I am not sure I can or will accept going by to watch lip-synced musical film. At the same time, live stage musical sang in a stage manner (over-exaggerated a bit, a la “Lea Salonga – I Dreamed A Dream“) will still be appreciated by musical lovers.
  12. Have a listen to “On My Own” ”I Dreamed A Dream“.

This article is cross posted by me to examiner.

Bonus update Dec 27th: Adding the following after interesting discussions with commenters over here.

From Deborah: “I kind of feel that the expectations you mentioned having about Anne’s singing may have set up the disappointment. I, went in with little to no expectation of her singing, and felt it wrenched much more from me than Lea’s rendition. […] I am curious about how you would like to have tweaked Gavroche’s death. I felt something missing but as the film is still so fresh in my head, I do not know how I would like to fill that which is missing…”

My reply to Deborah: “Yes, you are right on. I, unfortunately, failed to keep my expectation in check and let it run wild. But then I truly believe what I wrote was possible. The problem is I was critical of Lea’s rendition before I watch Les Mis 2012 too! I even argue with my professionally trained singer/advisor (she sang soprano) saying Lea’s 25th anniversary rendition had some of the words sang way too clearly and enunciated way too prominently. Thus expecting Anne’s (actually, in general, a LIVE singing acting way) will be “better” and involve me emotionally even more! Well, I doubt my expectations could have been reachable by anyone. But if I were Tom Hopper, I would push and push more to try.
re Gavroche’s death: I think it is the script I have problem with. The death scene made me felt like Gavroche was taunting the soliders. It dragged on a few more movement than I want? May be kill him in with the second shot? I don’t know. I have to watch it again to say for sure. And the steadicam final look into his face seem odd. May be that is the position of his body or the look on his face?”

Deborah: “Oh – and I fell in love with the voices and the actresses portrayals of Cosette…”

My reply: “Which Cosette? :)
Isabelle Allen as young Cosette had to rock and she definitely did when she started singing in her scene!
Amanda Seyfried as Cosette is flawless too! She has to have the look of innocent and the voice of an angel to match. And she did. I like her when I first noticed Amanda Seyfried in Mean Girls. In fact, everyone did a good job in Mean Girls especially Lindsay Lohan. Lindsay is such a talented actress and I hope she can get back on track in her career. I felt she is one of the child actress that we (the viewing public) help wreck her life, of course, her own actions are to blame too, but then without the success provided by us public, she may live a different life.”


Les Misérables Christmas Eve Musical Preview – One Day More!

Monday, 24 December, 2012

2012 #LesMis Christmas Eve composite

Dear Lovers of Les Misérables music,

One Day More! The wait for our dear LesMis (2012) is almost over! To help me relax and get this article started, I looped songs from the original French concept album and listening to classics like À la volonté du peuple (aka Do You Hear the People Sing?) and J’aivais Rêvé d’Une Autre Vie (aka I Dreamed a Dream)) [HT Aulina for introducing me to the French originals.]

Feel free to listen to À la volonté du peuple or J’aivais Rêvé d’Une Autre Vie as you read along this! Now lets focus on a few things musical.

1) Yes, LIVE Singing!

What does LIVE Singing really mean? The actors & actresses you see on screen, their images and singing would have been recorded LIVE together. So no faking or lip syncing at all! The Live Singing is going to be awesome!

If you haven’t seen the Les Misérables Singing Live Featurette yet, it is totally worth a watch!

Now, the Les Mis promotional machine would want you to believe the film’s LIVE Singing is “ground breaking” and “never been done before” without qualification. The fact is filmmakers in the past have done it. Here is Candice Bergen singing in a comedic scene with Burt Reynolds in Starting Over. Don’t tell me Candice actually recorded this in studio first and then managed to lip sync to the bad comedic singing! :)

I guess I will be happier if the promotional hype is toned down a little.

2) Russell Crowe can seriously act! But seriously, can Russell sing?!

OK, Russell is in a rock band but this is Les Mis! And we are talking about the critical role of Javert! So I had to look for some positive reassurance. And I found Russell and Hugh Jackman singing in this Les Misérables clip. Unfortunately, the clip wasn’t quite the “high notes” I had hoped for. But as luck would have it, I ended up discovering & watching the YouTube clip of Russell and Hugh singing “The Confrontation” at a private Indoor Garden Party at Joe’s Pub NYC.

Sure, the sound quality in the clip and setup was no where near great but it strangely eased my worry a bit more. Not completely, but a little more. I see/hear something in the pub performance, and I trust Russell to be a perfectionist that he would have practiced a ton and done takes and takes and takes … until he and director Tom Hooper think he got things right. Following the “trust, but verify” advice: I trust Russell can deliver but I am eagerly waiting to watch the film to tell decide for myself!

3) Hugh Jackman can sing!!!

If there is an absolute “sure win” performance in Les Mis, it the  awesome Tony-award-winning Broadway star Hugh (also known for being Wolverine) ! His singing of “Who Am I” is wonderful and interesting. I will have a “risky” technical discussion later.

Now, is there anything the awesome Tony-award-winning Broadway star Hugh (also known for being Wolverine) can’t do?! Well, apparently he can make pancake too! Correction: not just pancake but Crêpe according to Anne on Letterman promoting the film!

Hugh Jackman’s opening number at the 2009 Oscars (with Anne)

4) I LOVE Anne Hathaway as Fantine!

If you haven’t done it already, please hear Anne sings and watch she performs I Dreamed a Dream in this trailer.

Anne‘s increasingly skillful acting, her 25 lb weight loss (absolutely crazy in creating the desired look), and her singing combine together will, I believe, create a transcending experience that we have NEVER experience in a LIVE singing musical film EVER.

I have to admit I used to quite like Les Misérables (1998 film) starring Liam NeesonGeoffrey RushUma Thurman, and Claire Danes. But when I recently borrowed the 1998 film from the library to watch again for my LesMis series research, I was only able to watch a few segments. I could not bare to watch it from beginning to end. As a drama with no singing, I found the film dry and a bit too much “Reason Before Passion“. LesMis needs the LIVE singing like we need oxygen, a LIVE singing film version of LesMis can, I hope, achieve “Reason alongside Passion“!

5) Samantha Barks can sing!!!

In case you don’t know already, Samantha actually “starred as Éponine in the London production of Les Misérables at the Queen’s Theatre” for a year from 2010-2011. Have a watch of her spectacular “On My Own” at the 25th anniversary performance of Les Miserables. Based on the trailers and the behind the scenes clips, I totally think Samantha will shine like a bright star in LesMis (2012)!

HuffPost, “‘Les Miserables’ Trailer: Samantha Barks Steals The Show In New Preview

6) Amanda Seyfried as CosetteEddie Redmayne as Marius Pontmercy

Amanda and Eddie are nice actor & actress and I’ve seen some of their work and love them. And I found this clip “God Is With Us (Eddie Redmayne singing)“. Eddie has a beautiful voice!

By the way, Eddie seemed like a nice guy when he won his Tony.

7) Helena Bonham Carter as Madame ThénardierSacha Baron Cohen as Thénardier

It should be a ton of fun to watch Helena and Sacha (you may know him as the awesome Borat). Because of the types of songs the two roles will perform, I suspect the two talents can easily handle the singing. I was able to find Sacha singing in Sweeney Todd. Have a watch.

By the way, for those who can only think of Sacha as the crazy & rude Borat, here is what Johnny Depp (co-star in Sweeney Toddsaid of Sacha,

“He’s not what I expected. I didn’t look at those characters and think, This will be the sweetest guy in the world. He’s incredibly nice. A real gentleman, kind of elegant. I was impressed with him. He’s kind of today’s equivalent of Peter Sellers.”

8)  A risky technical discussion re singing

I am not a musician nor trained in music in anyway. So to do the research for this article, I asked my music advisor (a trained soprano) for help. She made the point that words have to be articulated and sung loud and clear. Now, I love Samantha‘s ”On My Own” at the 25th anniversary performance, but that is not good enough for my “ideal” LesMis (2012) performance. Why? Here comes my risky take. I think Samantha sang “On My Own“ in a much too articulated and loud/clear manner! My preferred performance is one that somewhat goes against the years of training professional singers have learned by heart. With sensitive mic near by shooting the scene and the singing, the performer can be free to let the sung words play a subservient role to the core emotion need to be expressed at that moment. Think about what I just wrote and watch “On My Own“ again. Am I way off base?

Under the above stated thinking, I personally think Hugh‘s ”Who Am I” rocks! I think it may have a chance to become a more enduring performance than the many other “Who Am I” that we’ve heard before.

9) Concluding Thoughts

I think LesMis (2012) should do very well with lovers of LesMis the musical and lovers of musicals in general. But for the film to be a success in the box office for the studios to try something like this again with other musicals (which I hope they do), LesMis will have to be successful with the general audiences.

If I have time and there are enough interest, I may write an article about the business of LesMis (2012). Until then, it is One Day More! Tomorrow is LesMis on Christmas!

Cool references:

1) Songs from Les Misérables

2) Here are À la volonté du peuple and J’aivais Rêvé d’Une Autre Vie for your listening pleasure! :)

3) TIME Magazine, “They Dreamed a Dream: Les Misérables Is a Whole New Kind of Movie Musical

Note: This article will be cross-posted by me at examiner.


Howl’s Moving Castle – Call Me, Maybe?

Monday, 24 December, 2012

It all started with me trying to find a video clip from Howl’s Moving Castle to go with a cryptic FB Status, “Hello ATCO, Our fire demon is sick and waiting for your help.” It is not in my nature to let a good idea go wasted, so I did some research & search and found the wonderfully made HMC | Call Me, Maybe? ♡

Spoiler Warning: Do not watch clip if you want to watch the full film spoiler-free. Howl’s Moving Castle is a 2004 Japanese animated fantasy film. At heart, it is a most enchanted magical story about love.


A Les Misérables Lover’s Journey from 1989 to 2012 Christmas – #LesMis Part 1

Friday, 14 December, 2012

Les Mis @RoyalAlexandraTheatreTorontoCanada

Les Mis 1989

Love is a mysterious thing. During the 1989 Christmas holiday, a visiting friend and I walked pass the Royal Alex by chance. We, on a whim, decided to buy the cheapest last minute tickets available to see Les Misérables. Cheap seats were cheap for a reason and we ended up sitting in the absolute worst seat (yes, last row against the wall) in the theatre. To my surprise, even sitting in the worst seats, we quite enjoyed Les Mis. So much so that I bought a copy of the full-Toronto-cast-signed charity Les Mis poster (donating the minimum ~$35, close to or more than the ticket price). I treasured that signed poster for many years until a national mover lost it! Yes, it kinda suck for me!

Les Mis 2012

I’ve been quite excited about Les Mis again once I realize the creative gamble Oscar winning director Tom Hooper is trying with Les Mis (2012 film). To prepare for writing this series of articles, I went to Calgary Public Library and borrowed the following:

1) three Les Mis music CDs (sang by the 10th anniversary cast, the 25th anniversary cast, plus an international cast recording),

2) Les Mis (1998 film),  and

3) Les Mis (25th Anniversary Concert in 2010).

I remember watching Les Mis (1998 film) in the theatre when it was released and quite enjoyed it. To be honest, knowing the Les Mis (2012 film) is live sung by the cast, the dramatic 1998 film suddenly seem lacking in emotional impact (to me) when compare to what I hope to see from 2012 film. I ended up enjoying the music CDs a lot more than the 1998 film.

Watching Les Mis (25th Anniversary Concert in 2010) for the first time also was quite nice in terms of sound quality and the bonus material of the original cast singing at the end of the DVD. My one complain is the fact that the 25th anniversary performance was a concert so see the cast dressed in costume and sang standing in front of a mic reduced the emotional impact greatly for me.

Christmas 2012

Listening to all the CDs and watching the 25th Anniversary Concert has put in such a mood that I bought a ticket to the Christmas Opening show last night, for me, an unheard of 12 days ahead of the opening!

2012 #LesMis

I can’t wait to see Les Mis! Do you plan to see Les Mis? On Christmas Day? This article is cross-posted on examiner and is part 1 of my #LesMis series. More to come. Here is “Les Misérables – International Trailer


Academy narrows best Oscar documentary list from 126 to 15 films

Monday, 3 December, 2012

Ai Weiwei in a big pot

Today The Academy of Motion Picture Arts and Sciences announced 15 out of 126 films will advance to the next stage. Here are the 15 films (in alphabetical order by title) with their production companies (links to the films added):

(**) “Ai Weiwei: Never Sorry,” Never Sorry LLC
(*) “Bully,” The Bully Project LLC
(*) “Chasing Ice,” Exposure
(*) “Detropia,” Loki Films
(*) “Ethel,” Moxie Firecracker Films
(*) “5 Broken Cameras,” Guy DVD Films
(*) “The Gatekeepers,” Les Films du Poisson, Dror Moreh Productions, Cinephil
(*) “The House I Live In,” Charlotte Street Films, LLC
How to Survive a Plague,” How to Survive a Plague LLC
The Imposter,” Imposter Pictures Ltd.
(*) “The Invisible War,” Chain Camera Pictures
Mea Maxima Culpa: Silence in the House of God,” Jigsaw Productions in association with Wider Film Projects and Below the Radar Films
Searching for Sugar Man,” Red Box Films
(*)* “This Is Not a Film,” Wide Management
(*) “The Waiting Room,” Open’hood, Inc.

These 15 films are now qualified for the documentary branch members to further narrow down to five nominees. Regrettably this reporter only has a chance to watch one of the above films Ai Weiwei: Never Sorry and I really enjoyed it. Documentary films are insightful sources to expand our views and sometimes world views. I am hope in the coming months to have chances to watch some of the above films, especially the ones I’ve put a “*” in front of.

Rory Kennedy’s (director of “Ethel”) reaction (via Variety) are I guess typical,

“I was just on an airplane — I just got off and got a call and I was very excited,” Kennedy told Variety. “It’s just an honor anytime to get shortlisted by the Academy — it’s a huge honor. Obviously, there are so many extraordinary documentaries out there.” 

This year’s rules changes in the selection process apparently lead to some controversy, Read the rest of this entry »


Ben Affleck changed film Argo after meeting former Canadian ambassador to Iran

Sunday, 14 October, 2012

Update: Just found this video of Ben Affleck introducing “Argo” at private Washington D.C. screening with some of the former hostages and even the current CIA Director General Petraeus present plus an acknowledgement to Ambassador Taylor and his wife Pat.

As part of my research for this report, I found & watched this amazing & insightful 1980 PBS documentary (~54 mins long), “Canadian Caper: 6 Americans escape from Iran with the help from the CIA and the Canadian“. You can hear directly from the mouths of the six escaped American hostages, Ambassador Taylor, and other Canadian embassy staffs. Click here to jump directly to where the doc starts to talk about the Canadians’ involvement. Canadians should be really proud of what we did to help our American friends in need.

***

Making a Hollywood film is a massive and expensive undertaking so it comes as a surprise that star & director Ben Affleck has agreed to change his latest Oscar buzz-worthy film Argo (opened Friday), a film “based on Tony Mendez‘s account of the rescue of six U.S. diplomats—with help from Canada—from Tehran, Iran during the 1979 Iran hostage crisis“. After meeting Calgary-born Kenneth D. Taylor, former Canadian ambassador to Iran from 1977 to 1979, Affleck has decided to have Taylor rewrite the postscript of the film “reportedly at considerable cost to the studio“.

Calgary Herald reports, (emphasis and commentaries added)

Unfortunately, as is often the case with Hollywood, Argo trumpets America’s involvement in the caper at the expense of other players, specifically the Canadian Embassy. But, as is perhaps less often the case with Hollywood, when Affleck learned the film may have given Canada, and Taylor in particular, short shrift, he invited the former ambassador and his wife to L.A. to watch the film and eventually make changes to the postscript.

I don’t focus my views on my own involvement,” says Taylor, in an phone interview from his home in New York City. “The entire Canadian Embassy was at play. I don’t think it gives credit to Canada. And I made that pretty clear, I think.

Of course, by the time Taylor and his wife Pat watched Argo in L.A. last month, the actual film couldn’t be changed.So Affleck suggested Taylor rewrite the postscript, reportedly at considerable cost to the studio.

[Kempton's note: Once Affleck realized the mistake, it was an honourable thing for him to do to try to right a wrong. It is important to note that the postscript is rewritten by Taylor. See next paragraph for how diplomatically he put things. Here is a link to an authoritative account in President Ronald Reagan's 1981 Remarks when he presented the Congressional Gold Medal to Taylor.]

Taylor rewrote the postscript to emphasize collaboration. According to the Toronto Star it now reads: “The involvement of the CIA complemented efforts of the Canadian Embassy to free the six held in Tehran. To this day the story stands as an enduring model of international co-operation between governments.

[Kempton's note: What a classy way to put things. Ambassador Taylor really make us Canadians proud in his measured words. Wow, "enduring model of international co-operation between governments." Nothing fancy about the risks he and his wife took, it is the Canadian Embassy.]

[...] Earlier this week, Taylor went to Washington for the movie’s premiere, which was also to include a private screening and reception at the Canadian Embassy. According to media reports, Affleck praised him on the red carpet before the screening, suggesting he was “a very clear hero.”

Toronto Star reports and indirectly laying the blame of the film’s inaccuracy on the screenwriter and director,

If anyone had bothered to ask Antonio “Tony” Mendez, the real-life CIA agent portrayed by Ben Affleck in the new thriller Argo, about Canada’s contribution to the rescue of six American diplomats from Iran in 1980, there would never have been any trouble.

“Canada was still the real hero in the whole thing,” said Mendez over lunch back in September, before Argo had ever screened to the public. He gives particular credit to former Canadian ambassador Ken Taylor. “Ken took a huge risk and he handled it wonderfully. He got the blame and he got the glory.”

[...] “When the six were seeking asylum, they were turned away from so many places, but when they came to the Canadians, (immigration officer) John Sheardon just said, ‘What took you so long?’ and welcome them in. He didn’t even have to ask Ken. He knew he’d be on side.”

In an earlier post-TIFF (Toronto International Film Festival) September report in Toronto Star,

The old postscript sent the message that, for political reasons, Canada took the credit. A sarcastic kicker noted that Taylor received 112 citations. The clear implication was that he did not deserve them.

When Affleck phoned Taylor, he said, “Frankly, if this bothers you, then I’ll change it.”

[...] “I expressed my concern with certain details in the movie,” Taylor told me just before leaving his hotel to catch a flight back to New York. “In reality, Canada was responsible for the six and the CIA was a junior partner. But I realize this is a movie and you have to keep the audience on the edge of their seats. Ben was very gracious and we got along really well. There are a few points I want to address. Now Ben and I both feel free to talk about them.”

So well, in fact, that Taylor and his wife taped a commentary for the extra features on the DVD version of Argo, which will not be released until 2013. [Kempton's note: This will be really cool!]

According to Taylor, several details of the plot are pure fiction. There was never any crisis about getting the plane tickets for the six, as in the climatic scenes of Argo, because he bought three sets of plane tickets, paid for by Pat Taylor. Nor did Taylor ever threaten to close down the Canadian embassy, leaving his secret U.S. house guests with nowhere to hide. Nor did the six ever go to a bazaar.“I would never have allowed that,” says Taylor.

And oh, by the way, while in Tehran, Mendez was taken care of by the Canadian embassy.“What matters to me is the essence and importance of diplomacy,” Taylor sums up. “It matters more now than ever before. It’s a risky business but vitally important.

“You can’t just close the office,” he adds, in an apparent swipe at Ottawa’s recent decision to close the Canadian embassy in Iran.

[Kempton's note: This means a lot coming from Ambassador Taylor given his experiences in a previous dangerous time. It confirms my thinking it was wrong for the Harper government to shutdown the Canadian embassy in Iran, in fact co-incidentally on the same day Argo opened at TIFF!]For Ben Affleck, what counts is this: “It’s important to tell stories about how two countries worked together.”

Fade out on Hollywood’s real-life bromance.

From a Toronto Star movie review,

But then “69 Days Later” appears on the screen, and the Hollywood play time Taylor speaks of really kicks in. From this point on, as a bearded and bossy Affleck takes charge — under the indulgent command of his CIA superior, well played by Bryan Cranston — Argo becomes almost total fiction.

The third act is chock full of thriller clichés, including suspicious passport control officers, miracle computer file transfers (and this is 1980!) and airport tarmac chases. They all do what they’re supposed to do, just like a Big Mac sliding down your throat.

Worth reading research materials:

Toronto Star, Oct 7, 2012, “‘Argo’: Former ambassador Ken Taylor sets the record straight

Toronto Star, Sept 12, 2012, “TIFF 2012: How Canadian hero Ken Taylor was snubbed by Argo” (although not used/referenced in this report, this article is worth reading)

Toronto Star, Sept 12, 2012, “Ben Affleck changes Argo postscript for Ken Taylor“ (although not used/referenced in this report, this article is worth reading)

Concordia University, Sep 2011, “Former Canadian ambassador Kenneth D. Taylor delivers Henri Habib Distinguished Lecture.

Check out these books

Argo: How the CIA and Hollywood Pulled Off the Most Audacious Rescue in History” is a Sept 2012 book by Antonio Mendez and Matt Baglio

Our Men In Tehran” is a 2010 book by Robert Wright. Check out the book description for more info and the reviews for more info. Toronto Star reports, “But Our Man in Tehran, a 2010 book by Trent University professor Robert Wright, revealed that Taylor played a bigger role than was known at the time. The book claimed (and Taylor confirmed) that he was spying for the U.S. throughout the hostage crisis, at the request of Jimmy Carter (then U.S. president) and with the approval of Joe Clark (then Canadian prime minister).

NOTE: This article is cross posted by me at examiner.com


Taken 2 & Frankenweenie – Are they any good?

Friday, 5 October, 2012

taken 2 - Frankenweenie

Taken 2 and Frankenweenie are two of the movies opening in Calgary theatres today. So are they any good? In a weekly Fox LA hangout with Rotten Tomatoes’ Editor-in-Chief Matt Atchity, I got some insight from Matt and will share with you here.

*** Taken 2 ***

Many people, this reporter included, LOVE the great action thriller Taken (2008) starring Liam Neeson, Maggie Grace and Famke Janssen. In the first Taken, “Neeson plays a former Central Intelligence Agency (CIA) operative who sets about tracking down his daughter after she is kidnapped by human traffickers while traveling in France.” To me, Liam Neeson is a great dramatic actor but I had never been him so ass-kicking and believable as a lean-mean-killing-machine before Taken. So naturally, I’ve been eagerly waiting for Taken 2 over the years since I watched Taken the DVD borrowed from Calgary Public Library. Unfortunately, I’m quite disappointed to see a 17% Rotten rating (88 Rotten out of 104 reviews so far) for Taken 2. Yikes! Rotten Tomatoes’ Editor-in-Chief Matt Atchity described Taken 2 as weak. We all had a good laugh when Matt mentioned someone had fun with the title of Taken 2 and changing it to ”Look Who’s Taken 2″, I presume, reference the unfunny comedy “Look Who’s Talking“.

So set your expectation of Taken 2 really really low if you have to watch it. And do share what you think about it. Leave a comment. Given what I heard and read now, I think I would rather re-watch Taken if I want to see Neeson kick-ass.

*** Frankenweenie ***

Frankenweenie has a 84% Fresh Rotten Tomatoes rating (76 fresh out of 91 reviews). The film is an extended version of a short film by Tim Burton years ago. Rotten Tomatoes’ Matt thinks the stop motion is really well done. While Matt really likes the film but he suggested may be the film isn’t for kids too young (younger than 8). It should be noted that Frankenweenie is written, directed & produced by Tim Burton himself whereas The Nightmare Before Christmas (a great film I love) was only written & produced by Burton but not directed by Burton.

This article cross-posted by me in examiner.com


Nora Ephron (1941-2012), Thanks and Goodbye

Tuesday, 26 June, 2012

Nora Ephron (1941-2012), Thanks and Goodbye

Nora, Thanks for all your great films. Goodbye. Rest in peace.

When Harry Met Sally – full ending

Nora Ephron | CONVERSATIONS AT KCTS 9

Nora interview

Great CBC radio Q 2010 interview “Revisiting Nora Ephron on Q“.

Lovely article by Nora’s friend Rita Wilson, “My Friend Nora

Obit from USA Today, NYT, WaPo (make sure you read till the end), NPRCNN, New York MagazineTIME (film clips).

News: LA Times “Nora Ephron: Celebs, Hollywood react to her death“, THR “Nora Ephron’s Death: Hollywood Remembers the Writer-Director

Nora’s Esquire classic “A Few Words About Breasts

Esquire “Nora Ephron Was Better Than One of Them


To “Read Before” or “Read After”, that is the question

Tuesday, 3 April, 2012

I have an interesting discussion with my friend DeAno. The main discussion point is this:

Given an upcoming movie, will you read the source material before or after you watch the movie?

Here are my comments:

- Don’t know why I do it but I read a ton of spoilers from the Wikipedia entries for the books some months ago. Fortunately I’ve forgotten most of the details now. :)

P.S. I think it can still be fun even if you know what may come from the books. Many people who watch the Harry Potter films are avid readers of the books and I don’t think their fun was spoiled much.

- Totally see your points in not wanting to know what’s coming next. Very different personal preferences I guess. And Susan Cain’s Quiet: The Power Of Introverts has helped me understand why this difference in personal preferences.

Don’t know if you’ve watched these two movies but I loved their trailers so much that I didn’t want to wait for them on screen and ended up borrowing the play & novel to read before I watched the movies on the big screen! http://en.wikipedia.org/wiki/Proof_(play) and http://en.wikipedia.org/wiki/The_Notebook

In contrast, I watched English Patient, loved it so much and ended up getting the book and read it in two days.


Oscars 2012: Christopher Plummer, Best Supporting Actor

Monday, 27 February, 2012

The following transcript is partially based on THR “Oscars 2012: The Winners’ Reactions” with additional text added using the recorded press room video below.

Reporter: Why are you wearing your Order of Canada pin?
Christopher Plummer: ”I sort of feel that in a way I’m representing my country here tonight just as Max [von Sydow] is representing Sweden. [...] This is the highest civilian honour that a Canadian can get and I’m very proud of it.] I think an evening like this deserves to have them all out, all the medals and all the awards showing.”

On his hometown: “It was great to grow up in Quebec because it never closed. Montreal stayed open all night. I’m glad I grew up in a racy town.”

Great man, well said. Love Plummer!

Oscars 2012: Christopher Plummer, Best Supporting Actor, Backstage Interview


Oscar 2012 – Best Picture The Artist & more

Sunday, 26 February, 2012

Check out this “Oscars 2012: The Artist Producer and Jean Dujardin Backstage Interview

Here is a THR hosted “Q&A with the cast and crew of ‘The Artist.’ The crew talks about filming on th Warner Bros. and Paramount back lots as well as Los Angeles’ historic Orpheum Theatre.”

THR “Award Season Roundtable Series: The Actors Uncensored” - Full uncensored video of our roundtable interview with George Clooney, Christopher Plummer, Gary Oldman, Chastoph Waltz, Albert Brooks and Nick Nolte. Read the rest of this entry »


Werner Herzog, Alison Klayman, Angelina Jolie, Keanu Reeves talk about their films at Berlin

Thursday, 16 February, 2012

Excellent series of four film talks (video) with Werner Herzog, Alison Klayman, Angelina Jolie, Keanu Reeves at Berlin International Film Festival 2012. Some of these talks have funny moments and all of them are deeply insight. The interviews with Angelina Jolie and Keanu Reeves are NOT your typical Hollywood 30 seconds red carpet highlights. All of these film talks are great for people who love interviews! Enjoy.

*** My takes of these four talks **

* Werner is one of the best doc filmmakers in the world. Very insightful talk. On Death Row reviewed by Hollywood Reporter and IndieWire.

* Alison‘s talk adds a lot of the context and behind the scene stories. Great talk again. Here are some reviews.

* Angelina‘s chat with the interviewer (also a film director herself) is amazingly insightful to watch. For those that can only see Angelina as a sexy and attractive star, you are in for a pleasant surprise. Reviews from UK Guardian and Hollywood Reporter.

Keanu and the film director’s chat with interviewer is very insightful and fun to watch. Here is Hollywood Reporter’s review of the documentary Side by Side.


Catch up with Bill Buxton

Thursday, 2 February, 2012

Bill Buxton is one of the smartest technologists I know of. Once in a while, I try to “catch up” with Bill by finding some of his online presentations/videos to watch. I hope you enjoy these videos as much as I do.

2011 TIFF Nexus: Locative Media Day Keynote: Bill Buxton on Whereable Media

Bill Buxton presents at AdWeek 2011

Bill Buxton speaks about technology’s effect on advertising at AdWeek 2011

See my previous post about Bill here, here, here, here (video), and here (video).

Also check out tiff.net/nexus. Here is an intro video.


Meeting Michel Hazanaviciu, director of Academy Award Nominated film The Artist

Monday, 30 January, 2012

Michel Hazanaviciu, Director of Academy Award Nominated film The Artist - pix 01

It was a lot of fun meeting Michel Hazanaviciu, director of Academy Award Nominated film The Artist, in a LA Fox11 Hangout and having a chance to ask Michel a question about his creative process in directing actors in a silent film.

Michel said a lot of work were put into crafting the script well to make it so that the images can tell the story instead of through dialogues. The actors do say the lines even we don’t hear it and we were told John Goodman loves to improvise his lines. It was a lot of fun meeting Michel. I will post a video of the hangout when LA Fox 11 posts.

Here is a beautiful trailer of The Artist.

Thanks to Maria Quiban and Tshaka Armstrong from LA Fox11 for inviting us to the hangout!

Michel Hazanaviciu, Director of Academy Award Nominated film The Artist - pix 03

Michel Hazanaviciu, Director of Academy Award Nominated film The Artist - pix 02


Absence of Malice – New Quote I Love

Thursday, 19 January, 2012

Absence of Malice

Love the movie Absence of Malice starring Paul Newman and Sally Field. Love this monologue of the Assistant U.S. Attorney General character (played by Wilford Brimley) to newspaper reporter (played by Sally Field),

Absence of Malice - Quote I Love

You know and I know that we can’t tell you what to print or what not to. We hope you people in the press will act responsibly, but when you don’t, there ain’t a hell lot anybody can do about it. But we can’t have people going around leaking stuff for their own reasons. It ain’t legal. And worse than that, by God, it ain’t right.

P.S. Right after I finished watching Absence of Malice, I started writing a long post to recommend the film to the HK newspaper Apple Daily founder Jimmy Lai Chee Ying (黎智英), the paper’s editorial team and reporters because I consider Apple Daily‘s moral compass as mostly broken. Apple Daily reporters will write almost anything, put almost anything in cartoons (including a a sequences of cartoons depicting a young girl falling to her death), filming almost anything to sell newspapers.

P.P.S. According to Vanity Fair Dec 2004 article “The Gossip Behind the Gossip”, Read the rest of this entry »


For men and women who serve their countries – Stories of U.S. marines Kelsey De Santis and Scot Moore’s special nights with Justin Timberlake and Mila Kunis respectively

Sunday, 20 November, 2011

We all have our own individual views on war, at the same time, I hope it is easier to agree that free citizens own the men and women who serve their countries their gratitude. Here are the stories of U.S. marines Kelsey De Santis and Scot Moore’s special nights with Justin Timberlake and Mila Kunis respectively.

* Daily Mail, “My wonderful night with dream date Justin Timberlake, by U.S. Marine Kelsey De Santis

* Justin Timberlake’s blog article, “My Night At The Marine Corps Ball

* Daily Mail, “Belle of the ball! Mila Kunis smoulders in stunning black gown at Marine Corps gala


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