Jeff Jarvis captures it perfectly in this excerpt of his post “Every journalist a mojo” (emphasis mine),
This year, when I ran into David Cameron in the halls of Davos, alone and without handlers, I walked up and asked him about his own small video work at Webcameron, which I’ve covered in this column. I whipped out my mojo Nokia and asked whether he’d mind my recording it. I told him I was doing this for Reuters, but I can’t imagine he took that seriously, for I was just using a phone. How could that be professional?
And there is the first fundamental change brought on by the mojo phone: It’s small, unobtrusive, unthreatening. You don’t feel as if you’re talking to a camera and, in turn, to thousands or millions online. You’re talking to a phone; how silly. Other Reuters mojo journalists told me they had the same experience: It makes recording people more casual and perhaps candid and certainly easier.
The camera-phone also allowed me to record moments without drawing attention to myself. At Google’s Davos party, I recorded 14 precious seconds of long-time White House aide David Gergen boogying on the dance floor. As Henry Kissinger stood before a computer recording a video for YouTube, I stood next to him recording the event myself; I went unnoticed. Of course, there are issues: Is any moment of our lives now fodder for broadcast? It’s sobering enough that Britons are tracked everywhere by CCTV cameras, but now you’ll be followed by camera-carrying citizens who could be journalists (but who, even if they’re not, can still broadcast you on YouTube). Life is on the record.
When I create my online contents, I now prefer to use my digital camera to capture both pictures and videos for the reasons that Jeff described above. It is just a small digital camera, how can it be professional? (smile)